'Ugly Betty' Bites: Christina brings the funny EW.com
- 'Ugly Betty' Bites: Christina brings the funny EW.com
- 'Ugly Betty' Cast Then and Now: 10 Years Later
- Ugly Betty (TV Series 2006–2010) - Ashley Jensen as ...
- The Ugly Betty by Christina Byarm - Prezi
- Christina McKinney Ugly Betty Wiki Fandom
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- Ugly Betty - Der Hasen-Test - sixx
- Ugly Betty (TV Series 2006–2010) - Full Cast & Crew - IMDb
- Christina and Amanda - Loathing - Ugly Betty video - Fanpop
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christina ugly betty - win
What's Your Favorite Network Hot Streak?
Mine is probably ABC from 2004 to 2010ish. Lost, Ugly Betty, Boston Legal, Grey's Anatomy, Desperate Housewives. It's kinda insane to think of how much they defined pop culture in the mid to late 2000s. This was before streaming really exploded so everyone mostly watched the same stuff. Everyone was talking about Lost and Grey's Anatomy those first few seasons.The CW wasn't really a thing and FOX never really had the colossal ziegiest changing megahit in this era outside of 24 and arguably American Idol, but that's not really the same thing. But if we were to include competition and reality shows ABC had Dancing with the Stars, Supernanny and WifeSwap that were also cultural giants that FOX really couldn't match.
To break this down a bit, Lost in particular was such a game changing phenomenon that it's odd watching the show now and seeing how it inspired so many other shows. We didn't really have a science fiction series or really even a network drama with such intricate world building, high production values, thoroughly plotted and intersecting storylines all anchored by a frequently rotating and incredibly diverse cast. Watching WandaVision really reminded me of the first season of Lost. The very detail centric and layered style of visual story telling reminded me so much of the all of the world building with Dhrama, the monster and the mystery of the island. Even the 'we're trapped in a supernatural locale that exists outside of all logic and reason' premise harkens back to Lost.
Before the MCU, Lost was the media property that had nerds constantly coming up with charts and maps and theories to track the ever growing and constantly weaving story. There was no show like it before it aired. No one was coming up with WMG's for The Sopranos. You didn't have an obsessive almost Star Trekesque like fanbase for too many shows on air that wasn't actually just Star Trek on a major network back then. Nowadays science fiction shows and intricate mystery based plotlines are staples in modern television. But it was more of a niche interest until Lost came around.
But do you want all of that but with less supernatural anomalies and evil smoke monsters? Then they also had Desperate Housewives which was basically Lost but in the suburbs. Wisteria Lane has a vaguely mystical sort of air to it without being overt. So the incredibly outlandish yet still heavily domestic plotlines worked for people who weren't into the insanity that became Lost after season two. But by then you were already sucked into the insanity that became Desperate Housewives during season two or whichever one had Alfre Woodard on it. Like Lost there have been so many imitators, a few of them also produced by Marc Cherry, but none have been able to replicate that kind of cultural hold. This was a show that was mostly about wives and mothers set in suburbia and it was one of the highest rated shows for years.
Please name for me 5 other shows featuring women mostly in their 40's with a focus on domestic life that had this kind of cultural dominance and pull. The closest I can come to is maybe The Golden Girls. It's very common to see women anchoring their own shows and movie franchises now. Many of these properties are huge hits. But often the women are featured within settings that men find, for lack of a better word, respectable. They're in space, they're superheroes, they're kinda corrupt cops, they're in space, they're forensics experts, they're tortured ex vets turned some kind of assassin, they're in space, they're some kind of supernatural creature or otherworldly figure probably played by Sarah Paulson, they're ambitious horny lawyers, they're brilliant doctors and last but not least they are in space. But rarely does a show with massive crossover appeal place such a focus on domesticity and the various intersections of womanhood. There's been a few like Orange is the New Black, but even that takes place in prison.
And briefly, the effect of this streak on diversity in television cannot be understated. All of these shows featured large ensemble casts of Black, POC and queer characters with incredibly fleshed out motives, backstories and personalities. It meant something back in 2007 if you were Latino to see Gaby from DH, Callie from Grey's or Betty Suarez. It meant something if you were Asian to see Christina Yang be considered attractive, intelligent and neither of those traits be attributed to her race. Also a shout out to Dirty Sexy Money. It was nowhere near as colossal a hit but it featured the first transgender actress in a recurring role on TV. Obviously none of these shows were perfect in this regard but they moved the needle forward and that was much needed.
I feel like they kinda lost their grip as streaming became more of a thing. Yes Modern Family was a monster hit those first few seasons. But come 2014 when Netflix started their original programming and the slew of followers in it's wake, they lost that grip. Every once in a while you'll get your Mandalorian/ Watchmen/Stranger Things like megahit. But with so much content and choices now, not everyone has the same cultural vocabulary anymore. That's why when a show does become so ubiquitous it's worth talking about why.
So what's your favorite hot streak?
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29 TV Friendships That Were So Pure, They Were Total Goals
- Ilana and Abbi from Broad City.
- Leslie and Ron from Parks and Recreation.
- John and Sherlock from Sherlock.
- JD and Turk from Scrubs.
- David and Stevie from Schitt's Creek.
- Rose, Blanche, Dorothy, and Sophia from Golden Girls.
- Miley and Lilly from Hannah Montana.
- Sam and Blaine from Glee.
- Fiona and Veronica from Shameless.
- Jess and Cece from New Girl.
- Cristina and Meredith from Grey's Anatomy.
- Ted and Marshall from How I Met Your Mother.
- Rosa and Amy from Brooklyn Nine-Nine.
- Troy and Abed from Community.
- Arya and Sandor from Game of Thrones.
- Emma and Regina from Once Upon A Time.
- Jane and Petra from Jane The Virgin.
- Scooby and Shaggy from Scooby-Doo.
- Betty and Christina from Ugly Betty.
- Lorelai and Sookie from Gilmore Girls.
- And don't forget Lorelai and Rory's unique friendship.
- Nate and Ray from Legends of Tomorrow.
- Hitchcock and Scully from Brooklyn Nine-Nine.
- Lorna and Nicky on Orange is the New Black...
- And of course Taystee and Poussey.
- Honey and Jessica from Fresh Off The Boat.
- The Tenth Doctor and Donna.
- Monica, Rachel, and Phoebe from Friends...
- ...And Joey and Chandler, of course!
Link to article 30 Albums You May Have Missed In 2017
Hi, for the month of April I did a series of writeups in the Daily Discussion threads about albums from 2017 (the year I became a pop fan) that I think were overlooked or underrated. They have been compiled here for your viewing pleasure, edited for brevity.
Genre/Length: Pop + Rock / 42 Minutes
- For Fans Of: The Beach Boys, Electric Light Orchestra, staring at the night sky while walking through the city alone
Description: Across The Multiverse is an album about someone lost in space, always searching for something that they’re never quite sure if they already found. It’s a romantic sort of longing though, that special sort of sincerity that can only come from the most sardonic among us. Dent May’s voice wails as the big orchestrations clatter around him, his earnest vocals sounding somewhat detached and melancholy against the sea of instruments. This is counterbalanced by the straightforward lyrics, which lack in poeticism but make up for it with a sort of blunt charm. The album definitely has an old-school vibe to it with its classic lounge friendly rock style, but something about mixing the retro aesthetic with the spacey content really works. He’s just jamming out as he drifts through the universe, and he sounds great doing it.
Sample Track: “Across The Multiverse” is a really cute duet with Frankie Cosmos
Genre/Length: Bedroom Pop + Chiptunes / 21 Minutes
- For Fans Of: Kero Kero Bonito, Dorian Electra, being a #epicgamer
Description: nelward has experience with both scoring video games and making straightforward pop, so he’s able to balance the two worlds better than most, but it helps that his musical style is so off-the-wall that nothing would really feel out of place in one of his songs. The sheer audacity of it all and the nods to classic pop remind me a bit of the hyper pop movement, but his references draw from video game music and it gives his music a unique feeling. His has a distinctive vocal style that sees him striking strange pitches at times and jumping into falsetto, but this unusual form of crooning makes perfect sense within the internal logic of his music. Everything is almost chaotic, but in a very artificial kind of way. This aesthetic reflects the themes of the album well: it’s about (in my interpretation) filtering the real world through the artificial to help cope and understand. The rambling lyrics careen around random imagery like technology and food, but these minutiae are just sonic pleasures swirling around the core messages of the songs.
Sample Track: “seafoam breeze” is a quirky little song about colors, among other things.
Genre/Length: Rap + Alt-Pop + Hip-Hop / 38 Minutes
- For Fans Of: The Weeknd, Big Freedia, party rap
Description: The best way I can sum this album up is “a lot of fun;” sunny, dancing in the living room style pop anthems. Brother Bear (aka Matt Puckett of Mother Falcon, if that means anything to you) does a great job with the arrangements, leaning in to ’70s/‘80s sounds as well as more contemporary hip-hop to give the songs a vintage feel with a bit of an edge. Protextor’s rap skills are impressive but he also has surprising singing chops that make the choruses of the songs really soar. These two can’t seem to be contained to any one genre, constantly shifting styles between tracks from disco to funk to r&b; in spite of this shotgun approach the album feels very cohesive and maintains quality throughout. There’s even a feature from Cupcakke! This is such a well put together pop record I’m shocked it went so under the radar.
Sample Track: “Not Tonight” is a disco-pop song that feels like it was lifted right from the ’80s.
Genre/Length: Pop / 53 Minutes
- For Fans Of: Ariana Grande, BoA, the Radio Disney era
Description: If you’ve ever wondered what Ariana Grande might have sounded like if she’d debuted as a teen pop star in the ‘90s, it might’ve been something like Beverly. A powerhouse vocalist with an old-school sensibility, Beverly feels like she fell through time and into modern Japan clutching this LP to her chest. Her throwback sound is very versatile, scanning the annals of pop history for doo-wop cuts, ‘90s bubblegum/r&b tracks, soulful ‘00s contemporary pop jams, and all sorts of other pleasantly nostalgic treats. It’s her voice that really elevates the tracks though, she’s an incredibly powerful singer who sells the hell out of all the songs. While maybe not the most groundbreaking project it’s still an expertly assembled pop album handled by a strong vocalist, and those are always welcome. If you’ve been missing pop that’s huge and loud, this could be it.
Sample Track: “Empty” could easily be an old school Christina Aguilera cut.
Genre/Length: Broadway / 42 Minutes
- For Fans Of: anything tbh
Description: This is one of the most powerful musicals to have come out in a long time and it produced an absolutely gorgeous cast album. The musical tells the story of an Egyptian orchestra who, due to a miscommunication, end up stranded in a remote town in the Israeli desert and must spend the night with the townspeople. Not much really happens in the show, but it’s a tender exploration of the human condition and the loneliness and longing for connection that we all share, and the songs really reflect this. The music is very intimate, something not usually associated with a big budget Broadway musical, but the simmering music combined with the all star performances from the cast illustrate the story beautifully. The composer pulls from Middle Eastern styles, and there are beautiful instrumental interludes peppered throughout the album that showcase this even more, and the lyrics are breathtaking as well. It’s a modern classic of both music and theatre that everyone should listen to.
Sample Track: “Omar Sharif” is so smoky and heavy and sexy.
Genre/Length: Pop / 20 Minutes
- For Fans Of: LOONA 1/3, early MIKA, secretly streaming “ME!” by Taylor Swift
Description: Color Crush is like spending all day at a carnival, it’s a journey packed with excitement that gradually winds down into a gentle parade of lights. This album is so genuinely joyful, with every part being calibrated for maximum fun. True to its name it’s full of colorful compositions packed with little flourishes that give everything a playful, imaginative feel. The writing is sharp, and the compositions are smartly rooted in heavy 808s that cut through the noise and give the album some kick beneath the cute. The members of ELRIS are very talented and their ebullient voices have surprisingly diverse tones that carry the album through its weaker moments. On the whole this is a short album, but one where every track is worth while.
Sample Track: “Wonderland Girl” is my favorite track, it has a really bouncy chorus
Genre/Length: Rap / 32 Minutes
For Fans Of: Princess Nokia, Jamila Woods, alt-r&b albums with a concept
Description: Creature! is an appropriate name for this album because Nitty Scott is an absolute beast. I love her voice, she oozes confidence and her flow is so clear and natural. You get every word she says, which is good because she has some things to say here. The album tells the loose narrative of a woman named Negrita who falls “down the rabbit hole” into pre-colonial Puerto Rico and reconnects with her roots, and through this character Scott is able to express her own experiences as an Afro-Latina woman. She appropriates “exoticism” for herself here and allows the sounds of the Caribbean to haunt this album, and they blend perfectly into the poppin’ beats to give the album a unique sound. Magical realism is often a part of her aesthetic, but it works particularly well here. She finds time for both ferocity and fun on this album, managing to address the struggles of her ancestors while still celebrating being a badass rap chick.
Sample Track: “Creature” is a bruja bop.
Genre/Length: J-Idol Metal + Synthpop / 35 Minutes
- For Fans Of: Poppy, Dreamcatcher, anime music from hell
Description: Branding themselves as “ultra-dark” and writing songs about witches and Lovecraft, NECRONOMIDOL are a gem from Japan’s colorful “alt-idol” scene. Their concept is that they fuse metal with traditional idol sounds, lacing their shredding guitars with synths and electronic elements. It’s an interesting blend that gives them a broad appeal to fans of both metal and pop and this album is a great showcase of that. They offer headbanger metal tracks and foot stomping synth pop tracks in equal measure, all with that wickedly dark flair that gives the group its name. “Creepy children singing” is a horror movie staple but NECRONOMIDOL weaponize it, juxtaposing the members’ youthful voices against the creepy production to haunting effect. This album has such a goth aesthetic while still having a lot to offer musically, and it’s a great introduction to an interesting music scene.
Sample Track: “4.7L” is a DDR-esque darkwave banger
Genre/Length: Soul + R&B / 41 Minutes
- For Fans Of: Summer Walker, Amy Winehouse, romantic movies
Description: Though this album has a somewhat silly title it’s actually a very elegant exploration of love by one of the finest voices new voices in r&b. The chilly (almost lo-fi) r&b arrangements are sparse but detailed, and supplemented by touches of old school hip-hop, Motown, lounge music, and more. This vintage sensibility is draped around Aalegra like a cloak as she glides through the album, capturing every different kind of melodrama there is to romance with a knowing sigh. Her rich, raspy voice is like water that flows through her songs, and she plays well with the featured artists too. The sheer style of this album is impeccable, no matter what Snoh Aalegra is expressing she makes it sound effortlessly cool. That’s the word for the whole album really: effortless.
Sample Track: “Fool For You” showcases Snoh Aalegra’s ability to be absolutely mesmerizing.
Genre/Length: Country/Americana / 49 Minutes
- For Fans Of: Dolly Parton, Elle King, Janet Jackson’s experiments with non-dance genres
Description: Freedom Highway is an exploration of the struggles of black people in America. The stories she tells are harsh but presented simply and matter-of-factly, making them feel intensely human rather than melodramatic or preachy. Some of these songs are covers of classics, most of them are original compositions, and you can’t even tell which are which because of how timeless her writing is. These songs are brought to life by rich compositions of thumping percussion and twanging strings that make the perfect backdrop for her haunting voice. While her music is accessible it’s way more on the “country” side of “pop-country,” leaning in to the blues, jug band music, spirituals, gospel, folk ballads, dixieland jazz, and probably more styles that I can’t even name, but there’s also the odd hip-hop/rap track sprinkled in there, blending seamlessly in with the rest of the songs (which, I think, is the point).
Sample Track: “We Could Fly” got rave reviews for how ageless it sounds
Genre/Length: Pop-Rock + Synthpop / 41 Minutes
- For Fans Of: Avril Lavigne, P!nk, the band Lindsay Lohan is in in Freaky Friday (2003)
Description: Hey Violet feel like that girl you knew in high school who was kind of a mess and always had some insane story to tell about doing something that should have lander her in jail, but her eyeliner was always perfect and she was the coolest chick you knew. Between the DGAF vocals, the robust pop production, and “fuck you” topics this album has spunk in spades. There’s an unexpected diversity of tracks, touching on disco, rock, straightforward pop, emo, even a few cheerleader-esque tracks that call to mind “Hollaback Girl;” it feels old-school in a way with how it mines the history of pop, but it’s more retro-chic than anything else because Hey Violet are far too cool to seem behind the times. This album just slaps in a way that many albums coming out today don’t, and they should have become a bigger force in the pop scene after this.
Sample Track: “Hoodie” has such a titanic chorus.
Genre/Length: Indie / 52 Minutes
- For Fans Of: Rufus Wainwright, Shy Girls, digging through music for feelings like a pop archeologist
Description: Rostam had already cut his teeth in the music business for a decade as a member of Vampire Weekend and a writeproducer for other artists by the time, which is why it’s interesting that this album sounds so… innocent. It feels like a dreamcatcher that’s caught bits of dreams and memories as they’ve flown past and now they hang flickering like Christmas lights. These moments are tender, melancholy, inconsequential, earth shattering, but all presented in a fashion that makes them feel familiar and approachable. Rostam’s voice melts over the tracks like butter, his warm and throaty tone making him blend into the fabric of the music in a way that makes him sound all encompassing rather than shapeless. The album sounds like everything and nothing at once, it’s easy to listen to and a little difficult to get the most out of, but the rewards are enough to keep you coming back for more.
Sample Track: “Bike Dream” is a sexual yet sweet little song.
Genre/Length: Rap + Electropop / 37 Minutes
- For Fans Of: Charli XCX, Kesha, alt-pop girls on the fringes of the mainstream
Description: Imani Coppola is the kind of artist who does whatever she wants, a rebellious spirit whose chosen field is pop music. Her music always feels trendy and relevant but ever so slightly… off, somehow. Hypocrites is a great example of that, a pseudo-concept album devoted to exploring modern life wherein Imani gives her sardonic takes on everything from online dating to how awesome she thinks she is to a diss track directed at her cat. There’s clearly some level of parody to the over the top persona she’s projecting, but exactly how much is left up to the listener. Whatever her true intention, her characteristic witty lyricism makes the songs really fun to listen to, even if you roll your eyes every now and then. Musically it’s an eclectic mix of autotune drenched electro pop and more organic tracks which pull from all sorts of random styles, not her best work but her lyricism and strong ear for melodies keep it a solid listen.
Sample Track: “Just Feels Good” was originally written for Rachel Platten
Genre/Length: Dance / 77 Minutes
- For Fans Of: Brasstracks, Meghan Trainor, Disco
Description: This is the soundtrack to a J-Drama I’ve never seen, I just stumbled across it while searching for something else, but I’m glad that I did because it’s a really cute album. Takeshi Hanzawa (who also records under the name FreeTempo) is a fantastic electronic producer and his compositions on this album are fantastic. It’s mainly based in warm synth-heavy house and a funky big band sound (with some non-obtrusive vocals to spice things up), but he finds a lot of wiggle room within these styles. The songs capture a great selection of moods like peppy, hopeful, melancholy, anxious, and everything else you could need. It’s a surprisingly seductive album, you start off grooving along to some cheery dance music and then a few minutes later you’re sitting there reflecting on your choices to gentle piano music. It may be an out of context soundtrack, but good music always connects.
Sample Track: “23:59” is such a thrilling piece of house music
Genre/Length: Synthpop + Rock / 50 Minutes
For Fans Of: Poppy, Spellling, twisted indie horror films
Description: The Lure is a film loosely inspired by The Little Mermaid if the little mermaid were actually two man-eating mermaid sisters who get a job singing at a cabaret in ‘80s Poland. As if that wasn’t wild enough, it’s also a musical with a kickass soundtrack! While I would recommend watching it, the soundtrack works perfectly well independently and still captures the surreal, goth aesthetic of the film through a strong collection of pop songs. The cabaret that the mermaids work at in the film is pretty seedy, and that grimy cheapness is reflected in the crunchy, almost karaoke sounding retro-synth music. The album also veers into metal at times, and haunting “siren songs” are peppered throughout the album as well, adding mystery and danger to the mix. The songs on the album are trying to sound pretty but they just can’t shake the darkness that lurks beneath them. It’s a wholly unique project and a very seductive listen.
Sample Track: Though not on the official soundtrack, the version of “I Came To The City” by the original band shows off their music well.
Genre/Length: Indie Pop + Electropop / 29 Minutes
- For Fans Of: Panic! At The Disco, Paramore, basement shows from unknown bands
Description: For You The Moon is a collaboration project between two indie artists (Neil Reynolds and Cathryn Wake) and while I don’t know anything about either of them, they make a great impression here. They’re strong producers with big voices and despite the low budget they serve up huge melodies and ambitious production that’s constantly introducing new ideas to keep things fresh and moving. The album has a sharp electropop sound but it also has touches of vaudeville (owing to Cathryn’s theatre background) and emo rock (Neil is also the frontman of a band). I love how bold this album is, It’s a little bit crunchy at times, but I think that just adds to the appeal. They’re a nice shot of energy if you’ve been looking for some electric indie pop.
Sample Track: “Head In The Clouds” feels like something that would have gotten overplayed on the radio.
Genre/Length: Synthpop / 42 Minutes
For Fans Of: LOONA, Meghan Trainor, daydreaming you’re a princess in a fairy tale
Description: Since they debuted Lovelyz have crafted a “signature sound” that revolves around dreamy synths and tight harmonies (plus to a lesser extent chiptunes and theatre influences), and this album is the peak of their formula. Lovelyz are unapologetically frothy, but beneath their innocent aesthetic hides surprisingly complex song craft. While some of the songs on the album are just bubblegum-pop perfected, many of them are somewhat unusual sounding and offer twists via unusual arrangements and song structures. Their composers know what they’re doing and root their music in old school disco/pop/r&b sounds that allow them to be quirky while still maintaining that classic feel. The end result is a tight-yet-diverse album that’s intelligent for how sugary sweet it is.
Sample Track: Despite the world’s most generic title, “The” is an upbeat track with a spunky almost garage-band feel to it.
Genre/Length: Bubblegum Pop / 36 Minutes
For Fans Of: The Cardigans, Meghan Trainor, retrofuturism
Description: Pearl & The Oysters feel like a band that would be playing during a party scene in a ‘60s beachsploitation film, except that movie is set on the moon. A self-described “raygun pop” act, they filter that classic ’60s bubblegum sound through a layer of synths peppered with flashes of r&b and the result is a throwback that still sounds fresh thanks to the sharp production and slightly left-of-center writing. Their music sits on the right side of twee, remaining fun and carefree without being too obnoxiously sweet. They pay tribute to the Space Age, exotica, Wendy Carlos, everything you could want and more.
Sample Track: “Vitamin D” is the band’s favorite song.
Genre/Length: Electropop / 17 Minutes
For Fans Of: Selena Gomez, NIKI, local small time pop girls with bops
Description: Though she’s recently made a shift towards being a baddie rap chick (her latest single was imaginatively titled “Ass Fat”) but she began her career as an aspiring pop girl. It’s a shame she didn’t continue in this direction because I absolutely love this EP; it’s a strong collection of trendy pop songs that still feel very fresh today. Some the unusual instrumental choices (the EP is meant to be influenced by her upbringing in China) and her somewhat airy, somewhat raspy voice give the album a sense of personality and she keeps the energy up while maintaining a chill vibe. The songs have themes of anticipation and reflection, an exploration of growing up and finding your place. For a fairly small artist she makes her songs feel very big, with cavernous production making the songs feel expansive and adventurous.
Sample Track: “Tuscany (feat. Roland Greco)” is such a good song, I listen to it every time it comes up on shuffle.
Genre/Length: Pop / 22 Minutes
- For Fans Of: Dua Lipa, Charli XCX, ‘80s/‘90s pop classics
Description: A lot of the time people hear a synth and just go “oh it’s ‘80s inspired” but Urbani really draws out the essence of artists like Madonna and Janet Jackson, and she has the chops to pull it off. Her confident and flexible voice pairs well with the huge production of stuttering drums, wailing guitars, and crisp synths. There’s even extended dance breaks! While the songs are perfectly calibrated to pump you up and get those hands in the air, the lyrical content is very well written and keeps the songs from just feeling like pretty noise. She provides nuanced examinations of the power dynamics that underscore her relationships; what drives her away, what pulls her back, and everything in between. She promised power, and she delivered.
Sample Track: “U Know I Know” has an ear worm of a hook and some tricky little lyrics.
Genre/Length: Pop + New Wave / 45 Minutes
For Fans Of: Blondie, Sigrid, albums you can both scream along to in the car and listen to quietly while sitting at home
Description: Pollinator is a deceptively strange album, tapping an unconventional menagerie of collaborators including Joan Jett, Blood Orange, Charli XCX, Sia, a pre-breakdown Lucian Piane, film YouTuber Adam Johnston, and a feature from the guy who voices Linda Belcher on Bob’s Burgers. These diverse voices and styles are filtered through that classic Blondie sound and the end result is an eclectic track list crackling with strong hooks and melodies. There’s a loose, almost psychedelic feeling to the album thanks to abstract lyrics and a general sense of “fuzziness” that’s pleasant to listen to. The songs are somewhat subdued because they can trust a legend like Debbie Harry to carry them, and she remains as powerful a performer as ever. Although they’ve perhaps become more unassuming, Blondie’s music remains as captivating as ever.
Sample Track: “Fun” is an edgy little track, also check out the disco remix
Genre/Length: Indie-Pop / 36 Minutes
For Fans Of: Surfjan Stevens, Igor by Tyler, The Creator, internet weirdness that feels authentic
Description: Pop Food is definitely Jack’s most accessible record thanks to the strong pop focused writing that features robust instrumentals, prominent melodies, and catchy hooks. It’s an unusual sounding album, but unusual in a comfortingly familiar way. Jack has a very distinctive voice which is incredibly flexible and emotive despite him sounding like he’s singing through a mouth full of marbles, a technique that lends his music a unique feeling. It’s a bit difficult to parse out what he’s saying but the lyrics are good too, abstract but honest and relatable. A big part of what makes Jack Stauber so successful as an artist is the solid, very human core that his work draws from; there’s an almost vulnerability to the weirdness as if the layers of filters and #aesthetic allow him to be truly free.
Sample Track: “Candy Eyes” melts me every time I hear it, such a touching love song.
Genre/Length: Dance / 41 Minutes
- For Fans Of: Lady Gaga, Robyn, remixes that sound like new songs
Description: One of three albums (💀) released in 2017, Remember Me takes songs from RuPaul’s under appreciated earlier albums and gives them the old school remix treatment. The rich r&b/house sounds that made up the original tracks are deconstructed and pieced back together as electric dance floor mixes, a wonderful new context for these classic hits. He worked with several different producers on this project who give this project shades, most notably the ear candy electro pop of the KUMMERSPECK tracks and the almost sultry huskiness of the ylxr tracks. RuPaul’s music has become something of a side project in recent years, but projects like this show his legacy is definitely something to remember.
Sample Track: “Remember Me / Back To My Roots Medley” is heavy and hypnotic, a fresh take on one of Ru’s best songs.
Genre/Length: Pop + Adult Contemporary / 47 Minutes
Description: Before Tik Tok was pumping out hits we had Vine, which spawned the massively successful “Lost Boy” which gave way to Ruth B’s debut album Safe Haven. Though not as commercially successful as “Peter Pan,” Safe Haven maintained the same dreamy qualities while adding an even poppier twist. The songs on this album are crafted around simple hooks and melodies, which are then bulked up by romantic pop production. Ruth B has a knack for storytelling and each song has a unique angle and a satisfying journey. It’s wise but in that youthful sort of way that tries so hard to be poetic and reach for something greater even when it doesn’t succeed it’s charming. It has a bit of the spark that the flash-in-the pan adult contemporary stars of the early ’00s had, updated with a more modern sensibility. Like many one-hit wonders, Ruth B. deserved better.
Sample Track: “Dandelions” is catchy, wistful, and romantic.
Genre/Length: Electronic + Dance / 21 Minutes
- For Fans Of: Grimes, M.I.A., video game soundtracks
Description: I’m going to link this interview with Fatima Al Qadiri where she talks about the meaning, background, and composition of this album because it’s very fascinating, but the abbreviated version is this: The EP takes its title from an Arabic slang term for a gender defying “evil queen,” though “evil” is a bit pejorative in this case. Al Qadiri notes that there’s no direct English translation of the term, but from my understanding it’s similar to Western conceptions of “fierceness” or being a “bad bitch.” A Shaneera terrorizes the gender binary, too loud to be contained, too sexual to be stopped, and that’s the spirit that Al Qadiri captures through energetic electronic music. An intoxicating blend of Arabic and Western electronic styles (with a dash of video game music thrown in), these are hot and heavy dance floor anthems that capture the wicked, mischievous spirit she’s going for perfectly. Voices shout at you from within the haze of music like they’re a final boss taunting you (or perhaps seducing you) as the bass hammers and synth melodies curl around your ankles. It’s a campy, chaotic, cinematic experience.
Sample Track: “Spiral” got a (mildly NSFW) music video
Genre/Length: Pop-Rock / 23 Minutes
- For Fans Of: P!nk, Paramore, female fronted rock acts from the Warped Tour era
Description: SAINTE is a side project by Taylor Jardine of the rock band We Are The In Crowd, and for her solo work she took things in a much poppier direction. And we all love a poppier direction. smile, and wave is a tight EP packed with electric hooks and vocals, with most of the songs being centered around self-discovery and cutting toxicity out of your life. The slammin’ guitars and drum licks of WATIC are still present but that spunky garage band energy has been polished to a colorful sheen, the rough edges smoothed out into something a little more plastic but no less compelling. It’s very cohesive but each song has a distinct enough idea and strong enough lyrics that they all really pop individually. I got a LOT of mileage out of this EP in 2017, and it’s something I always return to fondly.
Sample Track: “With Or Without Me” is a joyride right from the first two lines
Genre/Length: Electrofunk / 44 Minutes
- For Fans Of: Aviators, city pop, YouTube videos of old songs playing over footage of ‘80s anime
Description: Cyndi Seui is confusingly named because he’s a man from Thailand, but fortunately the album is very straightforward. Inspired by the ideas of the vaporwave movement (less so the sound), with Summer FM he attempts to capture the feeling of listening to an imaginary radio station from another era. And he succeeds! The album is a steady stream of #mood music that feels gloriously kitschy and retro while still sounding relevant. Its shiny future funk stylings are spiced up by flashes of r&b/hip-hop, with distant vocals fading in and out just because they sound cool. Like vaporwave, what this album lacks in substance it makes up for in pure style. It really does feel like something to blast while riding down the coastline on a summer day, full of positive vibes and slick grooves.
Sample Track: “Summer Frequency Modulation”
Genre/Length: Pop / 44 Minutes
- For Fans Of: Carly Rae Jepsen, Katy Perry, underrated pop girls
Description: The Valley refines the sprawling excellence of Betty’s debut album into a collection of tight pop songs that reach for hit potential, and the end result It’s a veritable smorgasbord for the discerning pop fan. She offers up pitch perfect pop perfection of every type she can think of: empowerment anthems, love songs, breakup jams, covers, collaborations, all of which come pack with monster choruses and delectable synth work. She can make you feel like you’re flying and tug at your heart strings and make you dance, and sometimes all three at once. By all accounts this should have been a star making album, and despite its underperformance it stands as one of the best pure pop albums of 2017.
Sample Track: “Beautiful (feat. Superfruit)” is a "love yourself" anthem done right
Genre/Length: Electropop / 14 Minutes
- For Fans Of: Sucker by Charli XCX, soundtracks to children’s movies
Description: This was actually the last direct to video Barbie movie and while that makes me sad, I’m at least glad the series could go out on such a high note. Video Game Hero was a great film with a great soundtrack, fittingly tapping into an electropop/dance sound that goes surprisingly hard. As you’d expect from the soundtrack to a direct to video Barbie film the songs are a sugar rush designed to hype up young girls, and I wouldn’t have it any other way. Though a little faceless, they make up for it in pep, and though formulaic, they make up for it with fun. I can’t pretend that this album is in any way highbrow but I also can’t deny that it’s enjoyable, and we could all use a little bit of unironic positive affirmation every now and then.
Sample Track: “Power Up” has a really fun instrumental.
Genre/Length: Alt-Pop + Rock / 32 Minutes
For Fans Of: Kevin Abstract, Ryan Beatty, venting about the world on social media
Description: A kaleidoscope of genres, shifting between sounds as fluidly as it shifts through ideas. It’s an album full of surprises, you never know what the next track is gonna sound like just like you never know what Tyler Cole is going to say or do. As the title implies the album deals with anxiety surrounding both romance and the general shittiness of the world writ large, and while it verges on /im14andthisisdeep at points his delivery and emotions are so raw that it’s still effective. It’s cool to hear an album that’s so unconcerned by sounding strange or ugly; his lyrics might not be the most erudite and his warbling falsetto and throaty screams aren’t perfect but these elements are always compelling. The album in touch with the zeitgeist without being cliche, and although the persona that Cole presents is very Instagram-friendly you can hear the genuine fear underneath it all that’s driving him to write this.
Sample Track: “Bones (Pt. 1 & 2)” are a good display of the genre shifting nature of the album, I love the country-ish second half.
And that's that! What are some other underrated gems from this year?
27 Actors Who People Think Are Completely Different To The Characters That Made Them Famous
- Stephanie Beatriz as Rosa Diaz in Brooklyn Nine Nine.
- Tom Hiddleston as Loki in Thor: Ragnarok.
- Tom Felton as Draco Malfoy in the Harry Potter movies.
- Angela Kinsey as Angela Martin in The Office.
- Kerry Washington as Olivia Pope in Scandal.
- Alan Rickman as Snape in the Harry Potter movies.
- Ming-Na Wen as Agent May in Agents of S.H.I.E.L.D.
- Leighton Meester as Blair Waldolf in Gossip Girls.
- Misha Collins as Castiel in Supernatural.
- Sandra Oh as Christina Yang in Grey's Anatomy.
- Dianna Agron as Quinn Fabray in Glee.
- Tati Gabrielle as Prudence on The Chilling Adventures of Sabrina.
- Emilia Clarke as Daenerys in Game of Thrones.
- Megan Mullally as Karen Walker in Will & Grace.
- Jason Mantzoukas as Rafi in The League.
- Imelda Staunton as Dolores Umbridge in the Harry Potter movies.
- Steve Carell as Michael Scott in The Office.
- William Jackson Harper as Chidi Anagonye in The Good Place.
- Rowan Atkinson as Mr Bean in the Mr Bean franchise.
- Bill Hader as Barry in Barry.
- Diane Guerrero as Martiza Ramos in Orange Is The New Black.
- Blake Lively as Serena Van Der Woodsen in Gossip Girl.
- Hugh Jackman as Wolverine in Wolverine.
- Kunal Nayyar as Rajesh Koothrappali in The Big Bang Theory.
- Vanessa L. Williams as Wilhemina Slater in Ugly Betty.
- Danny Trejo as, well, pretty much every Danny Trejo character.
- Mads Mikkelsen as Hannibal Lecter in Hannibal.
Link to article 505 books to read in quarantine for people who are bored af
(Sorry for spelling mistakes)
The Hunger Games by Suzanne Collins
The Hitchhiker’s Guide to the Galaxy by Douglas Adams
Night by Elie Wiesel
Crime and Punishment by Fyodor Dostoevsky
The Living Mountain by Nan Shepherd
1984 by George Orwell
Flowers for Algernon by Daniel Keyes
The Count of Monte Cristo by Alexandre Dumas
The Green Mile by Stephen King
The Odyssey by Homer
Holes by Louis Sachar
Lord of the Flies by William Golding
The Woman in White by Wilkie Collins
The Bell Jar by Sylvia Plath
The Bean Trees by Barbara Kingsolver
Man’s Search for Meaning by Victor E. Frankel
Little Women by Louisa May Alcott
The Outsiders by S.E. Hinton
Number the Stars by Lois Lowry
The Stand by Stephen King
The Handmaid’s Tale by Margaret Atwood
American Gods by Neil Gaiman
Kushiel’s Dart by Jacqueline Carey
Alice in Wonderland by Lewis Carroll
To Kill a Mockingbird by Harper Lee
The Divine Comedy by Dante
Meditations by Marcus Aurelius
Red Storm Rising by Tom Clancy
Animal Farm by George Orwell
Anna Karenina by Leo Tolstoy
The Gift of Fear by Gavin de Becker
Fahrenheit 451 by Ray Bradbury
The Road by Cormac McCarthy
No Country for Old Men by Cormac McCarthy
The Autobiography of Malcolm X by Alex Haley
The Hound of the Baskervilles by Sir Arthur Conan Doyle
The Great Gatsby by F. Scott Fitzgerald
Pet Sematary by Stephen King
Frankenstein by Mary Shelley
Where the Sidewalk Ends by Shel Silverstein
The Long Walk by Richard Bachman
Democracy in America by Alexis de Tocqueville
The Jungle by Upton Sinclair
A Brief History of Time by Stephen Hawking
The Alchemist by Paulo Coelho
The Heart is a Lonely Hunter by Carson McCullers
How to Win Friends and Influence People by Dale Carnegie
The Stranger by Albert Camus
What If? By Randall Monroe
The Grapes of Wrath by John Steinbeck
100 Years of Solitude by Garcia Marquez
Slaughterhouse-Five by Kurt Vonnegut
Behold the Man by Michael Moorcock
11/22/63 by Stephen King
Brave New World by Aldous Huxley
The Giver by Lois Lowry
Harry Potter and the Sorcerer’s Stone by J.K. Rowling
The Hobbit by J.R.R. Tolkien
Factfulness by Hans Rosling
Johnny Got His Gun by Dalton Trumbo
Fugitive Pieces by Anne Michaels
A Prayer for Owen Meany by John Irving
The Life of Pi by Yann Martel
The Lord of the Rings by J.R.R. Tolkien
East of Eden by John Steinbeck
Between the World and Me by Ta-Nahisi Coates
A Child Called It by Dave Pelzer
Hamlet by William Shakespeare
The Catcher in the Rye by J.D. Salinger
The Giving Tree by Shel Silverstein
The Bible
The Choice by Edith Eder
Notes from the Underground by Fyodor Dostoevsky
Phantastes by George MacDonald
Macbeth by William Shakespeare
A Christmas Carol by Charles Dickens
On Liberty by John Mill
Wealth of Nations by Adam Smith
The Canterbury Tales by Geoffrey Chaucer
Don Quixote by Miguel de Cervantes
Diary of a Young Girl by Anne Frank
The Once and Future King by T.H. White
Dracula by Bram Stoker
The Journals of Lewis and Clark
The Federalist Papers by Alexander Hamilton, James Madison, and John Jay
The Art of War by Sun Tzu
The 48 Laws of Power by Robert Greene
The 33 Strategies of War by Robert Greene
Stuart Little by E.B. White
Little House in the Big Woods by Laura Ingalls Wilder
Anne of Green Gables by Lucy Maud Montgomery
A Time to Kill by John Grisham
The Pearl by John Steinbeck
Confessions by Kanae Minato
Rain on Me by Jack Pierce and Lotus Token
Took by Mary Downing Hahn
The Unwanted by Kien Nguyen
The Long Exile by Melanie McGrath
John Dies at the End by David Wong
Tuesdays with Morrie by Mitch Albom
The Kite Runner by Khaled Hosseini
The Joy Luck Club by Amy Tan
The Lovely Bones by Alice Sebold
Dune by Frank Herbert
Catch-22 by Joseph Heller
Fear and Loathing in Las Vegas by Hunter S. Thompson
Emma by Jane Austen
Moby Dick by Herman Melville
Cat’s Cradle by Kurt Vonnegut
Rebecca by Daphne du Maurier
The Red Badge of Courage by Stephen Crane
Vertigo by W.G. Sebald
Oryx and Crake by Margaret Atwood
Revolutionary Road by Richard Yates
The Sun Also Rises by Ernest Hemingway
Zen and the Art of Motorcycle Maintenance by Robert M. Pirsig
Jerusalem by Alan Moore
It by Stephen King
The Dinner by Herman Koch
The Metamorphosis by Frank Kafka
Cloud Atlas by David Mitchell
The Picture of Dorian Gray by Oscar Wilde
A Portrait of the Artist as a Young Man by James Joyce
The Invisible Man by H.G. Wells
Infinite Jest by David Foster Wallace
Lolita by Vladimir Nabokov
Good Omens by Terry Pratchett and Neil Gaiman
The Magic Kingdom by Stanley Elkin
The Adventures of Tom Sawyer by Mark Twain
Romeo and Juliet by William Shakespeare
Wuthering Heights by Emily Brontë
And Then There Were None by Agatha Christie
You by Caroline Kepnes
The Test by Sylvain Neuvel
Robinson Crusoe by Daniel Dafoe
Great Expectations by Charles Dickens
The Old Man and the Sea by Ernest Hemingway
The Haunting of Hill House by Shirley Jackson
Ulysses by James Joyce
The Call of the Wild by Jack London
Julius Caesar by William Shakespeare
Treasure Island by Robert Louis Stevenson
The Goldfinch by Donna Tartt
The Adventures of Huckleberry Finn by Mark Twain
Around the World in 80 Days by Jules Verne
Carrie by Stephen King
Peter Pan by J.M. Barrie
Do Androids Dream of Electric Sheep? By Phillip K. Dick
Jane Eyre by Charlotte Brontë
Naked Lunch by William S. Burroughs
The Martian by Andy Weir
The Color Purple by Alice Walker
The Man in the High Castle by Phillip K. Dick
Something Wicked This Way Comes by Ray Bradbury
To the Lighthouse by Virginia Woolf
Doctor Zhivago by Boris Pasternak
The Three Musketeers by Alexandre Dumas
Watership Down by Richard Adams
Murder on the Orient Express by Agatha Christie
Madame Bovary by Gustave Flaubert
The Phantom of the Opera by Gaston Lacroux
King Lear by William Shakespeare
The Scarlet Letter by Nathaniel Hawthorne
Oliver Twist by Charles Dickens
The Communist Manifesto by Karl Marx and Friedrich Engels
The Idiot by Fyodor Dostoevsky
As I Lay Dying by William Faulkner
War of the Worlds by H.G. Wells
American Psycho by Bret Easton Ellis
The Mysterious Island by Jules Verne
The Brothers Karamazov by Fyodor Dostoevsky
Pride and Prejudice by Jane Austen
A Tale of Two Cities by Charles Dickens
Les Miserables by Víctor Hugo
The Exorcist by William Peter Blatty
Misery by Stephen King
The Stepford Wives by Ira Gaines
Murphy by Samuel Beckett
The Girls by Lori Lansens
Little Fires Everywhere by Celeste Ng
The 7 ½ Deaths of Evelyn Hardcastle by Stuart Turton
The Time Traveler’s Wife by Audrey Niffenegger
One Flew Over The Cuckoo’s Nest by Ken Kesey
Big Little Lies by Liane Moriarty
Wicked by Gregory Maguire
127 Hours: Between a Rock and a Hard Place by Aron Ralston
Breakfast of Champions by Kurt Vonnegut
The Phantom Tollbooth by Norton Juster
Room by Emma Donoghue
Pale Blue Dot by Carl Sagan
The Tempest by William Shakespeare
A Clockwork Orange by Anthony Burgess
Battle Royale by Koushun Takami
The Woman in the Window by A.J. Finn
We Have Always Lived in the Castle by Shirley Jackson
The Book Thief by Markus Zusak
Ender’s Game by Orson Scott Card
Sense and Sensibility by Jane Austen
Howl’s Moving Castle by Dianna Wynne Jones
The Tattooist of Auschwitz by Heather Morris
Fight Club by Chuck Palahniuk
Ready Player One by Ernest Cline
The Sun is Also a Star by Nicola Yoon
Galápagos by Kurt Vonnegut
The Shining by Stephen King
Uncle Tom’s Cabin by Harriet Beecher Stowe
The Iliad by Homer
Mrs. Dalloway by Virginia Woolf
For Whom the Bell Tolls by Ernest Hemingway
World War Z by Max Brooks
Becoming by Michelle Obama
The Martian Chronicles by Ray Bradbury
The Autobiography of Benjamin Franklin
A Walk in the Woods by Bill Bryson
The Invention of Hugo Cabret by Brian Selznick
Jurassic Park by Michael Crichton
The Perks of Being a Wallflower by Stephen Chbosky
Island of the Blue Dolphins by Scott O’Dell
All Quiet on the Western Front by Erich Maria Remarque
Esperanza Rising by Pam Muñoz Ryan
Madame Curie by Eve Curie
The Last Lecture by Randy Pausch
The Foundation by Isaac Kasimov
A Man Called Ove by Fredrick Backman
Where the Red Fern Grows by Wilson Rawls
The Bridge to Terabithia by Katherine Paterson
Tarzan of the Apes by Edgar Rice Burroughs
Matilda by Roald Dahl
The Glass Castle by Jeannette Wells
Percy Jackson and the Lightning Thief by Rick Riordan
Gone Girl by Gillian Flynn
The Curious Incident of the Dog in the Night-time by Mark Haddon
Looking for Alaska by John Green
Paper Towns by John Green
Gangster Redemption by Larry Lawton
Catch Me if You Can by Frank Abagnale
Coraline by Neil Gaiman
Beloved by Toni Morrison
Cinder by Marissa Meyer
The Water Dancer by Ta-Nehisi Coates
The Sun Does Shine by Anthony Ray Hinton
An American Marriage by Tayari Jones
The Underground Railroad by Carson Whitehead
The Invention of Wings by Sue Monk Kidd
Wild by Cheryl Strayed
Love in the Time of Cholera by Gabriel García Márquez
Light in August by William Faulkner
The Good Earth by Pearl S. Buck
Cry, the Beloved Country by Alan Paton
Sula by Toni Morrison
Fall On Your Knees by Ann-Marie MacDonald
House of Sand and Fog by Andre Dubus III
Drowning Ruth by Christina Schwarz
A Map of the World by Jane Hamilton
The Time Machine by H.G. Wells
Midwives by Chris Bohjalian
A Lesson Before Dying by Ernest J. Gaines
The Rapture of Canaan by Sheri Reynolds
Charlotte’s Web by E.B. White
Outlander by Diana Gabaldon
Crazy Rich Asians by Kevin Kwan
Anna and the French Kiss by Stephanie Perkins
The Fault in Our Stars by John Green
Cane by Jean Troomer
Divergent by Veronica Roth
The Maze Runner by James Dashner
Never Let Me Go by Kazuo Ishiguro
A Song of Ice and Fire by George R.R. Martin
Stargirl by Jerry Spinelli
The Hate U Give by Angie Thomas
Simon vs. the Homo Sapiens Agenda by Becky Albertalli
Diary of a Wimpy Kid by Jeff Kinney
The Lion, the Witch, And the Wardrobe by C.S. Lewis
Gone with the Wind by Margaret Mitchell
The Hunchback of Notre Dame by Víctor Hugo
Because of Winn-Dixie by Kate DiCamillo
The Subtle Art of Not Giving a Fuck by Mark Manson
The Five Love Languages by Gary Chapman
You Are a Badass by Jen Sincero
Watchmen by Alan Moore
Maus by Art Speigelman
The Little Prince by Antoine de Saint-Exupéry
Interview With the Vampire by Anne Rice
The Poisonwood Bible by Barbara Kingsolver
The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson
The Godfather by Mario Puzo
Breakfast at Tiffany’s by Truman Capote
The Arabian Nights
The Trial by Frank Kafka
On the Road by Jack Kerouac
Pippi Longstocking by Astrid Lindgren
Tess of the D'Urbervilles by Thomas Hardy
I Know Why the Caged Bird Sings by Maya Angelou
Journey to the Centre of the Earth by Jules Verne
Aesop’s Fables
Middlemarch by George Eliot
I, Robot by Isaac Asimov
Schindler’s List by Thomas Keneally
The Fall of the House of Usher by Edgar Allan Poe
The Children of Men by P.D. James
Vanity Fair by William Makepeace Thackeray
2001: A Space Odyssey by Arthur C. Clarke
Trainspotting by Irvine Walsh
1Q84 by Haruki Murakami
The Island of Dr. Moreau by H.G. Wells
The Turn of the Screw by Henry James
Blood Meridian by Cormac McCarthy
At the Mountains of Madness by H.P. Lovecraft
Dr. No by Ian Fleming
The 39 Steps by John Buchan
Gravity’s Rainbow by Thomas Pynchon
The Satanic Verses by Salman Rushdie
Nicholas Nickleby by Charles Dickens
The Maltese Falcon by Dashiell Hammett
Black Dahlia by James Ellroy
Fifty Shades of Gray by E.L. James
Casino Royale by Ian Fleming
Go Tell It on the Mountain by James Baldwin
The Crying of Lot 49 by Thomas Pynchon
The Tale of Genji by Murasaki Shikibu
Death in Venice by Thomas Mann
One of Us is Lying by Karen McManus
Kidnapped by Robert Louis Stevenson
A Wrinkle in Time by Madeleine L’Engle
Night and Day by Virginia Woolf
The Third Man by Graham Greene
Requiem for a Dream by Hubert Selby Jr.
God Bless You, Mr. Rosewater by Kurt Vonnegut
Who Moved My Cheese? By Spencer Johnson
Utopia by Thomas Moore
The Tin Drum by Gunter Grass
The Eye of the World by Robert Jordan
Trust Me by Lesley Pearce
Gone by Michael Grant
The House of Leaves by Mark Z. Danielewski
The God of Small Things by Arundhati Roy
God is Dead by Ron Currie Jr.
Hatchet by Gary Paulsen
Mein Kampf by Adolf Hitler
We by Yevgeny Zamyatin
13 Reasons Why by Brian Yorkey
The Five People You Meet in Heaven by Mitch Albom
Heart of Darkness by Joseph Conrad
The Night Circus by Erin Morgenstern
The Name of This Book is Secret by Pseudonymous Bosch
The Bad Beginning by Lemony Snicket
A Little History of the World by Ernst Gombrich
The First Fifteen Lives of Harry August by Claire North
The Princess Bride by William Goldman
At the Earth’s Core by Edgar Rice Burroughs
The Seventh Day by Yu Hua
Firefly Lane by Kristin Hannah
The Murder of Roger Ackroyd by Agatha Christie
Siddhartha by Hermann Hesse
The Things They Carried by Tim O’Brien
Invisible Man by Ralph Ellison
The 100 Year Old Man Who Climbed Out a Window and Disappeared by Jonas Jonasson
Prisoner B-3087 by Alan Gratz
Two Boys Kissing by David Levithan
Twilight by Stephenie Meyer
The Wind in the Willows by Kenneth Grahame
The Killer Inside Me by Jim Thompson
Salt, Sugar, and Fat: How the Food Giants Hooked Us by Michael Moss
The Man Who Owned Vermont by Bret Lott
Lamb by Christopher Moore
Extremely Loud And Incredibly Close by Jonathon Safran Foer
Doctor Doolittle by Hugh Lofting
The Wonderful Wizard of Oz by L. Frank Baum
What Katy Did by Susan Coolidge
Black Beauty by Anna Sewell
Heidi by Johanna Spyri
The Secret Garden by Frances Hodgson Burnett
The Boxcar Children by Gertrude Chandler Warner
Gulliver’s Travels by Johnathon Swift
The Legend of Sleepy Hollow by Washington Irving
Beowulf by J. Lesslie Hall
A Study in Scarlet by Sir Arthur Conan Doyle
Common Sense by Thomas Paine
Up From Slavery by Booker T. Washington
Anthem by Ayn Rand
Northanger Abbey by Jane Austen
Pretty Little Liars by Sara Shepherd
Twelve Years a Slave by Solomon Northup
The Story of My Life by Helen Keller
The Mysterious Affair at Styles by Agatha Christie
This Side of Paradise by F. Scott Fitzgerald
Dubliners by James Joyce
White Fang by Jack London
Roots by Alex Haley
Ivanhoe by Walter Scott
A Midsummer Night’s Dream by William Shakespeare
Othello by William Shakespeare
From the Earth to the Moon by Jules Verne
The Wendigo by Algernon Blackwood
Their Eyes Were Watching God by Zora Neale Hurston
Death of a Salesman by Arthur Miller
The Crucible by Arthur Miller
A Raisin in the Sun by Lorraine Hansberry
The Glass Menagerie by Tennessee Williams
The Importance of Being Earnest by Oscar Wilde
Waiting for Godot by Samuel Beckett
Magna Carta by John, King of England and Stephen Langton
The U.S. Declaration of Independence by Thomas Jefferson, Benjamin Franklin, John Adams, Roger Sherman, and Robert R. Livingston
The U.S. Constitution by James Madison
The Articles of Confederation by John Dickinson
The Emancipation Proclamation by Abraham Lincoln
The Koran
The Torah
His Dark Materials by Phillip Pullman
Birdsong by Sebastian Faulks
Bleak House by Charles Dickens
Brideshead Revisited by Evelyn Waugh
David Copperfield by Charles Dickens
Persuasion by Jane Austen
Winnie the Pooh by A.A. Milne
Memoirs of a Geisha by Arthur Golden
The Da Vinci Code by Dan Brown
Atonement by Ian McEwan
A Suitable Boy by Vikram Seth
The Secret History by Donna Tartt
Jude the Obscure by Thomas Hardy
Bridget Jones’ Diary by Helen Fielding
Swallows and Amazons by Arthur Ransome
A Confederacy of Dunces by John Kennedy Toole
A Town Like Alice by Nevil Shute
Charlie and the Chocolate Factory by Roald Dahl
James and the Giant Peach by Roald Dahl
The Girl with the Dragon Tattoo by Steig Larsson
The Help by Kathryn Stockett
The Girl on the Train by Paula Hawkins
Eragon by Christopher Paolini
The Notebook by Nicholas Sparks
My Sister’s Keeper by Jodi Picoult
Miss Peregrine’s Home for Peculiar Children by Ransom Riggs
The Host by Stephanie Meyer
Eleanor & Park by Rainbow Rowell
The Devil Wears Prada by Lauren Weinberger
If I Stay by Gayle Forman
Freakonomics by Steven Levitt and Stephen Dubner
Wonder by R.J. Palacio
The Pillars of the Earth by Ken Follett
The Sisterhood of the Traveling Pants by Ann Brashares
Sharp Objects by Gillian Flynn
Green Eggs and Ham by Dr. Seuss
How the Grinch Stole Christmas! By Dr. Seuss
The Cat in the Hat by Dr. Seuss
Uglies by Scott Westerfield
Educated by Tara Westover
Dear John by Nicholas Sparks
The Shack by William P. Young
The Gunslinger by Stephen King
Artemis Fowl by Eoin Colfer
The Boy in the Striped Pajamas by John Boyne
Where’d You Go, Bernadette? By Maria Semple
Marley & Me by John Grogan
An Abundance of Katherines by John Green
To All the Boys I’ve Ever Loved Before by Jenny Han
Ella Enchanted by Gail Carson Levine
A Tree Grows in Brooklyn by Betty Smith
The Very Hungry Caterpillar by Eric Carle
I Am Malala by Malala Yousafazi
The 5th Wave by Rick Yancey
Atlas Shrugged by Ayn Rand
The BFG by Roald Dahl
Rosemary’s Baby by Ira Gaines
Everything, Everything by Nicola Yoon
Oh, the Places You’ll Go! By Dr. Seuss
I am Number Four by Pittacus Lore
The Witches by Roald Dahl
Still Alice by Lisa Genova
Goodnight Moon by Margaret Wise Brown
1st to Die by James Patterson
Before I Fall by Lauren Oliver
Heaven is for Real by Todd Burpo
The Lorax by Dr. Seuss
Turtles All the Way Down by John Green
A Streetcar Named Desire by Tennessee Williams
V For Vendetta by Alan Moore and David Lloyd
The Life-Changing Magic of Tidying Up by Marie Kondo
Under the Dome by Stephen King
If You Give a Mouse a Cookie by Laura Numeroff
Killing Floor by Lee Child
The Princess Diaries by Meg Cabot
The Brief, Wondrous Life of Oscar Wao by Junot Díaz
A Gentleman in Moscow by Amor Towles
The Virgin Suicides by Jeffrey Eugenides
The Master and Margarita by Mikhail Bulgakov
The Absolutely True DIary of a Part-Time Indian by Sherman Alexie
Tuck Everlasting by Natalie Babbitt
Cujo by Stephen King
Midnight in the Garden of Good and Evil by John Berendt
Much Ado About Nothing by William Shakespeare
The Polar Express by Chris Van Allsburg
The World According to Garp by John Irving
Batman: Year One by Frank Miller and David Mazzucchelli
Left Behind by Tim LaHaye and Jerry B. Jenkins
The Tale of Peter Rabbit by Beatrix Potter
Christine by Stephen King
Madeline by Ludwig Bemelmans
20,000 Leagues Under the Sea by Jules Verne
Are You There God? It’s Me, Margaret by Judy Blume
From the Mixed Up Files of Ms. Basil E. Frankweiler by E.L. Konigsburg
Patriot Games by Tom Clancy
Death Note by Takeshi Obata and Tsugumi Ohba
Orange is the New Black by Piper Kerman
submitted by sarcasticomens12 to teenagers [link] [comments]
505 Books to Read in Quarantine If You’re Bored and Kinda Like Books (in No Particular Order)
(Sorry for spelling mistakes)
The Hunger Games by Suzanne Collins
The Hitchhiker’s Guide to the Galaxy by Douglas Adams
Night by Elie Wiesel
Crime and Punishment by Fyodor Dostoevsky
The Living Mountain by Nan Shepherd
1984 by George Orwell
Flowers for Algernon by Daniel Keyes
The Count of Monte Cristo by Alexandre Dumas
The Green Mile by Stephen King
The Odyssey by Homer
Holes by Louis Sachar
Lord of the Flies by William Golding
The Woman in White by Wilkie Collins
The Bell Jar by Sylvia Plath
The Bean Trees by Barbara Kingsolver
Man’s Search for Meaning by Victor E. Frankel
Little Women by Louisa May Alcott
The Outsiders by S.E. Hinton
Number the Stars by Lois Lowry
The Stand by Stephen King
The Handmaid’s Tale by Margaret Atwood
American Gods by Neil Gaiman
Kushiel’s Dart by Jacqueline Carey
Alice in Wonderland by Lewis Carroll
To Kill a Mockingbird by Harper Lee
The Divine Comedy by Dante
Meditations by Marcus Aurelius
Red Storm Rising by Tom Clancy
Animal Farm by George Orwell
Anna Karenina by Leo Tolstoy
The Gift of Fear by Gavin de Becker
Fahrenheit 451 by Ray Bradbury
The Road by Cormac McCarthy
No Country for Old Men by Cormac McCarthy
The Autobiography of Malcolm X by Alex Haley
The Hound of the Baskervilles by Sir Arthur Conan Doyle
The Great Gatsby by F. Scott Fitzgerald
Pet Sematary by Stephen King
Frankenstein by Mary Shelley
Where the Sidewalk Ends by Shel Silverstein
The Long Walk by Richard Bachman
Democracy in America by Alexis de Tocqueville
The Jungle by Upton Sinclair
A Brief History of Time by Stephen Hawking
The Alchemist by Paulo Coelho
The Heart is a Lonely Hunter by Carson McCullers
How to Win Friends and Influence People by Dale Carnegie
The Stranger by Albert Camus
What If? By Randall Monroe
The Grapes of Wrath by John Steinbeck
100 Years of Solitude by Garcia Marquez
Slaughterhouse-Five by Kurt Vonnegut
Behold the Man by Michael Moorcock
11/22/63 by Stephen King
Brave New World by Aldous Huxley
The Giver by Lois Lowry
Harry Potter and the Sorcerer’s Stone by J.K. Rowling
The Hobbit by J.R.R. Tolkien
Factfulness by Hans Rosling
Johnny Got His Gun by Dalton Trumbo
Fugitive Pieces by Anne Michaels
A Prayer for Owen Meany by John Irving
The Life of Pi by Yann Martel
The Lord of the Rings by J.R.R. Tolkien
East of Eden by John Steinbeck
Between the World and Me by Ta-Nahisi Coates
A Child Called It by Dave Pelzer
Hamlet by William Shakespeare
The Catcher in the Rye by J.D. Salinger
The Giving Tree by Shel Silverstein
The Bible
The Choice by Edith Eder
Notes from the Underground by Fyodor Dostoevsky
Phantastes by George MacDonald
Macbeth by William Shakespeare
A Christmas Carol by Charles Dickens
On Liberty by John Mill
Wealth of Nations by Adam Smith
The Canterbury Tales by Geoffrey Chaucer
Don Quixote by Miguel de Cervantes
Diary of a Young Girl by Anne Frank
The Once and Future King by T.H. White
Dracula by Bram Stoker
The Journals of Lewis and Clark
The Federalist Papers by Alexander Hamilton, James Madison, and John Jay
The Art of War by Sun Tzu
The 48 Laws of Power by Robert Greene
The 33 Strategies of War by Robert Greene
Stuart Little by E.B. White
Little House in the Big Woods by Laura Ingalls Wilder
Anne of Green Gables by Lucy Maud Montgomery
A Time to Kill by John Grisham
The Pearl by John Steinbeck
Confessions by Kanae Minato
Rain on Me by Jack Pierce and Lotus Token
Took by Mary Downing Hahn
The Unwanted by Kien Nguyen
The Long Exile by Melanie McGrath
John Dies at the End by David Wong
Tuesdays with Morrie by Mitch Albom
The Kite Runner by Khaled Hosseini
The Joy Luck Club by Amy Tan
The Lovely Bones by Alice Sebold
Dune by Frank Herbert
Catch-22 by Joseph Heller
Fear and Loathing in Las Vegas by Hunter S. Thompson
Emma by Jane Austen
Moby Dick by Herman Melville
Cat’s Cradle by Kurt Vonnegut
Rebecca by Daphne du Maurier
The Red Badge of Courage by Stephen Crane
Vertigo by W.G. Sebald
Oryx and Crake by Margaret Atwood
Revolutionary Road by Richard Yates
The Sun Also Rises by Ernest Hemingway
Zen and the Art of Motorcycle Maintenance by Robert M. Pirsig
Jerusalem by Alan Moore
It by Stephen King
The Dinner by Herman Koch
The Metamorphosis by Frank Kafka
Cloud Atlas by David Mitchell
The Picture of Dorian Gray by Oscar Wilde
A Portrait of the Artist as a Young Man by James Joyce
The Invisible Man by H.G. Wells
Infinite Jest by David Foster Wallace
Lolita by Vladimir Nabokov
Good Omens by Terry Pratchett and Neil Gaiman
The Magic Kingdom by Stanley Elkin
The Adventures of Tom Sawyer by Mark Twain
Romeo and Juliet by William Shakespeare
Wuthering Heights by Emily Brontë
And Then There Were None by Agatha Christie
You by Caroline Kepnes
The Test by Sylvain Neuvel
Robinson Crusoe by Daniel Dafoe
Great Expectations by Charles Dickens
The Old Man and the Sea by Ernest Hemingway
The Haunting of Hill House by Shirley Jackson
Ulysses by James Joyce
The Call of the Wild by Jack London
Julius Caesar by William Shakespeare
Treasure Island by Robert Louis Stevenson
The Goldfinch by Donna Tartt
The Adventures of Huckleberry Finn by Mark Twain
Around the World in 80 Days by Jules Verne
Carrie by Stephen King
Peter Pan by J.M. Barrie
Do Androids Dream of Electric Sheep? By Phillip K. Dick
Jane Eyre by Charlotte Brontë
Naked Lunch by William S. Burroughs
The Martian by Andy Weir
The Color Purple by Alice Walker
The Man in the High Castle by Phillip K. Dick
Something Wicked This Way Comes by Ray Bradbury
To the Lighthouse by Virginia Woolf
Doctor Zhivago by Boris Pasternak
The Three Musketeers by Alexandre Dumas
Watership Down by Richard Adams
Murder on the Orient Express by Agatha Christie
Madame Bovary by Gustave Flaubert
The Phantom of the Opera by Gaston Lacroux
King Lear by William Shakespeare
The Scarlet Letter by Nathaniel Hawthorne
Oliver Twist by Charles Dickens
The Communist Manifesto by Karl Marx and Friedrich Engels
The Idiot by Fyodor Dostoevsky
As I Lay Dying by William Faulkner
War of the Worlds by H.G. Wells
American Psycho by Bret Easton Ellis
The Mysterious Island by Jules Verne
The Brothers Karamazov by Fyodor Dostoevsky
Pride and Prejudice by Jane Austen
A Tale of Two Cities by Charles Dickens
Les Miserables by Víctor Hugo
The Exorcist by William Peter Blatty
Misery by Stephen King
The Stepford Wives by Ira Gaines
Murphy by Samuel Beckett
The Girls by Lori Lansens
Little Fires Everywhere by Celeste Ng
The 7 ½ Deaths of Evelyn Hardcastle by Stuart Turton
The Time Traveler’s Wife by Audrey Niffenegger
One Flew Over The Cuckoo’s Nest by Ken Kesey
Big Little Lies by Liane Moriarty
Wicked by Gregory Maguire
127 Hours: Between a Rock and a Hard Place by Aron Ralston
Breakfast of Champions by Kurt Vonnegut
The Phantom Tollbooth by Norton Juster
Room by Emma Donoghue
Pale Blue Dot by Carl Sagan
The Tempest by William Shakespeare
A Clockwork Orange by Anthony Burgess
Battle Royale by Koushun Takami
The Woman in the Window by A.J. Finn
We Have Always Lived in the Castle by Shirley Jackson
The Book Thief by Markus Zusak
Ender’s Game by Orson Scott Card
Sense and Sensibility by Jane Austen
Howl’s Moving Castle by Dianna Wynne Jones
The Tattooist of Auschwitz by Heather Morris
Fight Club by Chuck Palahniuk
Ready Player One by Ernest Cline
The Sun is Also a Star by Nicola Yoon
Galápagos by Kurt Vonnegut
The Shining by Stephen King
Uncle Tom’s Cabin by Harriet Beecher Stowe
The Iliad by Homer
Mrs. Dalloway by Virginia Woolf
For Whom the Bell Tolls by Ernest Hemingway
World War Z by Max Brooks
Becoming by Michelle Obama
The Martian Chronicles by Ray Bradbury
The Autobiography of Benjamin Franklin
A Walk in the Woods by Bill Bryson
The Invention of Hugo Cabret by Brian Selznick
Jurassic Park by Michael Crichton
The Perks of Being a Wallflower by Stephen Chbosky
Island of the Blue Dolphins by Scott O’Dell
All Quiet on the Western Front by Erich Maria Remarque
Esperanza Rising by Pam Muñoz Ryan
Madame Curie by Eve Curie
The Last Lecture by Randy Pausch
The Foundation by Isaac Asimov
A Man Called Ove by Fredrick Backman
Where the Red Fern Grows by Wilson Rawls
The Bridge to Terabithia by Katherine Paterson
Tarzan of the Apes by Edgar Rice Burroughs
Matilda by Roald Dahl
The Glass Castle by Jeannette Wells
Percy Jackson and the Lightning Thief by Rick Riordan
Gone Girl by Gillian Flynn
The Curious Incident of the Dog in the Night-time by Mark Haddon
Looking for Alaska by John Green
Paper Towns by John Green
Gangster Redemption by Larry Lawton
Catch Me if You Can by Frank Abagnale
Coraline by Neil Gaiman
Beloved by Toni Morrison
Cinder by Marissa Meyer
The Water Dancer by Ta-Nehisi Coates
The Sun Does Shine by Anthony Ray Hinton
An American Marriage by Tayari Jones
The Underground Railroad by Carson Whitehead
The Invention of Wings by Sue Monk Kidd
Wild by Cheryl Strayed
Love in the Time of Cholera by Gabriel García Márquez
Light in August by William Faulkner
The Good Earth by Pearl S. Buck
Cry, the Beloved Country by Alan Paton
Sula by Toni Morrison
Fall On Your Knees by Ann-Marie MacDonald
House of Sand and Fog by Andre Dubus III
Drowning Ruth by Christina Schwarz
A Map of the World by Jane Hamilton
The Time Machine by H.G. Wells
Midwives by Chris Bohjalian
A Lesson Before Dying by Ernest J. Gaines
The Rapture of Canaan by Sheri Reynolds
Charlotte’s Web by E.B. White
Outlander by Diana Gabaldon
Crazy Rich Asians by Kevin Kwan
Anna and the French Kiss by Stephanie Perkins
The Fault in Our Stars by John Green
Cane by Jean Troomer
Divergent by Veronica Roth
The Maze Runner by James Dashner
Never Let Me Go by Kazuo Ishiguro
A Song of Ice and Fire by George R.R. Martin
Stargirl by Jerry Spinelli
The Hate U Give by Angie Thomas
Simon vs. the Homo Sapiens Agenda by Becky Albertalli
Diary of a Wimpy Kid by Jeff Kinney
The Lion, the Witch, And the Wardrobe by C.S. Lewis
Gone with the Wind by Margaret Mitchell
The Hunchback of Notre Dame by Víctor Hugo
Because of Winn-Dixie by Kate DiCamillo
The Subtle Art of Not Giving a Fuck by Mark Manson
The Five Love Languages by Gary Chapman
You Are a Badass by Jen Sincero
Watchmen by Alan Moore
Maus by Art Speigelman
The Little Prince by Antoine de Saint-Exupéry
Interview With the Vampire by Anne Rice
The Poisonwood Bible by Barbara Kingsolver
The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson
The Godfather by Mario Puzo
Breakfast at Tiffany’s by Truman Capote
The Arabian Nights
The Trial by Frank Kafka
On the Road by Jack Kerouac
Pippi Longstocking by Astrid Lindgren
Tess of the D'Urbervilles by Thomas Hardy
I Know Why the Caged Bird Sings by Maya Angelou
Journey to the Centre of the Earth by Jules Verne
Aesop’s Fables
Middlemarch by George Eliot
I, Robot by Isaac Asimov
Schindler’s List by Thomas Keneally
The Fall of the House of Usher by Edgar Allan Poe
The Children of Men by P.D. James
Vanity Fair by William Makepeace Thackeray
2001: A Space Odyssey by Arthur C. Clarke
Trainspotting by Irvine Walsh
1Q84 by Haruki Murakami
The Island of Dr. Moreau by H.G. Wells
The Turn of the Screw by Henry James
Blood Meridian by Cormac McCarthy
At the Mountains of Madness by H.P. Lovecraft
Dr. No by Ian Fleming
The 39 Steps by John Buchan
Gravity’s Rainbow by Thomas Pynchon
The Satanic Verses by Salman Rushdie
Nicholas Nickleby by Charles Dickens
The Maltese Falcon by Dashiell Hammett
Black Dahlia by James Ellroy
Fifty Shades of Gray by E.L. James
Casino Royale by Ian Fleming
Go Tell It on the Mountain by James Baldwin
The Crying of Lot 49 by Thomas Pynchon
The Tale of Genji by Murasaki Shikibu
Death in Venice by Thomas Mann
One of Us is Lying by Karen McManus
Kidnapped by Robert Louis Stevenson
A Wrinkle in Time by Madeleine L’Engle
Night and Day by Virginia Woolf
The Third Man by Graham Greene
Requiem for a Dream by Hubert Selby Jr.
God Bless You, Mr. Rosewater by Kurt Vonnegut
Who Moved My Cheese? By Spencer Johnson
Utopia by Thomas Moore
The Tin Drum by Gunter Grass
The Eye of the World by Robert Jordan
Trust Me by Lesley Pearce
Gone by Michael Grant
The House of Leaves by Mark Z. Danielewski
The God of Small Things by Arundhati Roy
God is Dead by Ron Currie Jr.
Hatchet by Gary Paulsen
Mein Kampf by Adolf Hitler
We by Yevgeny Zamyatin
13 Reasons Why by Brian Yorkey
The Five People You Meet in Heaven by Mitch Albom
Heart of Darkness by Joseph Conrad
The Night Circus by Erin Morgenstern
The Name of This Book is Secret by Pseudonymous Bosch
The Bad Beginning by Lemony Snicket
A Little History of the World by Ernst Gombrich
The First Fifteen Lives of Harry August by Claire North
The Princess Bride by William Goldman
At the Earth’s Core by Edgar Rice Burroughs
The Seventh Day by Yu Hua
Firefly Lane by Kristin Hannah
The Murder of Roger Ackroyd by Agatha Christie
Siddhartha by Hermann Hesse
The Things They Carried by Tim O’Brien
Invisible Man by Ralph Ellison
The 100 Year Old Man Who Climbed Out a Window and Disappeared by Jonas Jonasson
Prisoner B-3087 by Alan Gratz
Two Boys Kissing by David Levithan
Twilight by Stephenie Meyer
The Wind in the Willows by Kenneth Grahame
The Killer Inside Me by Jim Thompson
Salt, Sugar, and Fat: How the Food Giants Hooked Us by Michael Moss
The Man Who Owned Vermont by Bret Lott
Lamb by Christopher Moore
Extremely Loud And Incredibly Close by Jonathon Safran Foer
Doctor Doolittle by Hugh Lofting
The Wonderful Wizard of Oz by L. Frank Baum
What Katy Did by Susan Coolidge
Black Beauty by Anna Sewell
Heidi by Johanna Spyri
The Secret Garden by Frances Hodgson Burnett
The Boxcar Children by Gertrude Chandler Warner
Gulliver’s Travels by Johnathon Swift
The Legend of Sleepy Hollow by Washington Irving
Beowulf by J. Lesslie Hall
A Study in Scarlet by Sir Arthur Conan Doyle
Common Sense by Thomas Paine
Up From Slavery by Booker T. Washington
Anthem by Ayn Rand
Northanger Abbey by Jane Austen
Pretty Little Liars by Sara Shepherd
Twelve Years a Slave by Solomon Northup
The Story of My Life by Helen Keller
The Mysterious Affair at Styles by Agatha Christie
This Side of Paradise by F. Scott Fitzgerald
Dubliners by James Joyce
White Fang by Jack London
Roots by Alex Haley
Ivanhoe by Walter Scott
A Midsummer Night’s Dream by William Shakespeare
Othello by William Shakespeare
From the Earth to the Moon by Jules Verne
The Wendigo by Algernon Blackwood
Their Eyes Were Watching God by Zora Neale Hurston
Death of a Salesman by Arthur Miller
The Crucible by Arthur Miller
A Raisin in the Sun by Lorraine Hansberry
The Glass Menagerie by Tennessee Williams
The Importance of Being Earnest by Oscar Wilde
Waiting for Godot by Samuel Beckett
Magna Carta by John, King of England and Stephen Langton
The U.S. Declaration of Independence by Thomas Jefferson, Benjamin Franklin, John Adams, Roger Sherman, and Robert R. Livingston
The U.S. Constitution by James Madison
The Articles of Confederation by John Dickinson
The Emancipation Proclamation by Abraham Lincoln
The Koran
The Torah
His Dark Materials by Phillip Pullman
Birdsong by Sebastian Faulks
Bleak House by Charles Dickens
Brideshead Revisited by Evelyn Waugh
David Copperfield by Charles Dickens
Persuasion by Jane Austen
Winnie the Pooh by A.A. Milne
Memoirs of a Geisha by Arthur Golden
The Da Vinci Code by Dan Brown
Atonement by Ian McEwan
A Suitable Boy by Vikram Seth
The Secret History by Donna Tartt
Jude the Obscure by Thomas Hardy
Bridget Jones’ Diary by Helen Fielding
Swallows and Amazons by Arthur Ransome
A Confederacy of Dunces by John Kennedy Toole
A Town Like Alice by Nevil Shute
Charlie and the Chocolate Factory by Roald Dahl
James and the Giant Peach by Roald Dahl
The Girl with the Dragon Tattoo by Steig Larsson
The Help by Kathryn Stockett
The Girl on the Train by Paula Hawkins
Eragon by Christopher Paolini
The Notebook by Nicholas Sparks
My Sister’s Keeper by Jodi Picoult
Miss Peregrine’s Home for Peculiar Children by Ransom Riggs
The Host by Stephanie Meyer
Eleanor & Park by Rainbow Rowell
The Devil Wears Prada by Lauren Weinberger
If I Stay by Gayle Forman
Freakonomics by Steven Levitt and Stephen Dubner
Wonder by R.J. Palacio
The Pillars of the Earth by Ken Follett
The Sisterhood of the Traveling Pants by Ann Brashares
Sharp Objects by Gillian Flynn
Green Eggs and Ham by Dr. Seuss
How the Grinch Stole Christmas! By Dr. Seuss
The Cat in the Hat by Dr. Seuss
Uglies by Scott Westerfield
Educated by Tara Westover
Dear John by Nicholas Sparks
The Shack by William P. Young
The Gunslinger by Stephen King
Artemis Fowl by Eoin Colfer
The Boy in the Striped Pajamas by John Boyne
Where’d You Go, Bernadette? By Maria Semple
Marley & Me by John Grogan
An Abundance of Katherines by John Green
To All the Boys I’ve Ever Loved Before by Jenny Han
Ella Enchanted by Gail Carson Levine
A Tree Grows in Brooklyn by Betty Smith
The Very Hungry Caterpillar by Eric Carle
I Am Malala by Malala Yousafazi
The 5th Wave by Rick Yancey
Atlas Shrugged by Ayn Rand
The BFG by Roald Dahl
Rosemary’s Baby by Ira Gaines
Everything, Everything by Nicola Yoon
Oh, the Places You’ll Go! By Dr. Seuss
I am Number Four by Pittacus Lore
The Witches by Roald Dahl
Still Alice by Lisa Genova
Goodnight Moon by Margaret Wise Brown
1st to Die by James Patterson
Before I Fall by Lauren Oliver
Heaven is for Real by Todd Burpo
The Lorax by Dr. Seuss
Turtles All the Way Down by John Green
A Streetcar Named Desire by Tennessee Williams
V For Vendetta by Alan Moore and David Lloyd
The Life-Changing Magic of Tidying Up by Marie Kondo
Under the Dome by Stephen King
If You Give a Mouse a Cookie by Laura Numeroff
Killing Floor by Lee Child
The Princess Diaries by Meg Cabot
The Brief, Wondrous Life of Oscar Wao by Junot Díaz
A Gentleman in Moscow by Amor Towles
The Virgin Suicides by Jeffrey Eugenides
The Master and Margarita by Mikhail Bulgakov
The Absolutely True DIary of a Part-Time Indian by Sherman Alexie
Tuck Everlasting by Natalie Babbitt
Cujo by Stephen King
Midnight in the Garden of Good and Evil by John Berendt
Much Ado About Nothing by William Shakespeare
The Polar Express by Chris Van Allsburg
The World According to Garp by John Irving
Batman: Year One by Frank Miller and David Mazzucchelli
Left Behind by Tim LaHaye and Jerry B. Jenkins
The Tale of Peter Rabbit by Beatrix Potter
Christine by Stephen King
Madeline by Ludwig Bemelmans
20,000 Leagues Under the Sea by Jules Verne
Are You There God? It’s Me, Margaret by Judy Blume
From the Mixed Up Files of Ms. Basil E. Frankweiler by E.L. Konigsburg
Patriot Games by Tom Clancy
Death Note by Takeshi Obata and Tsugumi Ohba
Orange is the New Black by Piper Kerman
submitted by sarcasticomens12 to cleanagers [link] [comments]
505 Books to Read in Quarantine
(Sorry for spelling mistakes)
The Hunger Games by Suzanne Collins
The Hitchhiker’s Guide to the Galaxy by Douglas Adams
Night by Elie Wiesel
Crime and Punishment by Fyodor Dostoevsky
The Living Mountain by Nan Shepherd
1984 by George Orwell
Flowers for Algernon by Daniel Keyes
The Count of Monte Cristo by Alexandre Dumas
The Green Mile by Stephen King
The Odyssey by Homer
Holes by Louis Sachar
Lord of the Flies by William Golding
The Woman in White by Wilkie Collins
The Bell Jar by Sylvia Plath
The Bean Trees by Barbara Kingsolver
Man’s Search for Meaning by Victor E. Frankel
Little Women by Louisa May Alcott
The Outsiders by S.E. Hinton
Number the Stars by Lois Lowry
The Stand by Stephen King
The Handmaid’s Tale by Margaret Atwood
American Gods by Neil Gaiman
Kushiel’s Dart by Jacqueline Carey
Alice in Wonderland by Lewis Carroll
To Kill a Mockingbird by Harper Lee
The Divine Comedy by Dante
Meditations by Marcus Aurelius
Red Storm Rising by Tom Clancy
Animal Farm by George Orwell
Anna Karenina by Leo Tolstoy
The Gift of Fear by Gavin de Becker
Fahrenheit 451 by Ray Bradbury
The Road by Cormac McCarthy
No Country for Old Men by Cormac McCarthy
The Autobiography of Malcolm X by Alex Haley
The Hound of the Baskervilles by Sir Arthur Conan Doyle
The Great Gatsby by F. Scott Fitzgerald
Pet Sematary by Stephen King
Frankenstein by Mary Shelley
Where the Sidewalk Ends by Shel Silverstein
The Long Walk by Richard Bachman
Democracy in America by Alexis de Tocqueville
The Jungle by Upton Sinclair
A Brief History of Time by Stephen Hawking
The Alchemist by Paulo Coelho
The Heart is a Lonely Hunter by Carson McCullers
How to Win Friends and Influence People by Dale Carnegie
The Stranger by Albert Camus
What If? By Randall Monroe
The Grapes of Wrath by John Steinbeck
100 Years of Solitude by Garcia Marquez
Slaughterhouse-Five by Kurt Vonnegut
Behold the Man by Michael Moorcock
11/22/63 by Stephen King
Brave New World by Aldous Huxley
The Giver by Lois Lowry
Harry Potter and the Sorcerer’s Stone by J.K. Rowling
The Hobbit by J.R.R. Tolkien
Factfulness by Hans Rosling
Johnny Got His Gun by Dalton Trumbo
Fugitive Pieces by Anne Michaels
A Prayer for Owen Meany by John Irving
The Life of Pi by Yann Martel
The Lord of the Rings by J.R.R. Tolkien
East of Eden by John Steinbeck
Between the World and Me by Ta-Nahisi Coates
A Child Called It by Dave Pelzer
Hamlet by William Shakespeare
The Catcher in the Rye by J.D. Salinger
The Giving Tree by Shel Silverstein
The Bible
The Choice by Edith Eder
Notes from the Underground by Fyodor Dostoevsky
Phantastes by George MacDonald
Macbeth by William Shakespeare
A Christmas Carol by Charles Dickens
On Liberty by John Mill
Wealth of Nations by Adam Smith
The Canterbury Tales by Geoffrey Chaucer
Don Quixote by Miguel de Cervantes
Diary of a Young Girl by Anne Frank
The Once and Future King by T.H. White
Dracula by Bram Stoker
The Journals of Lewis and Clark
The Federalist Papers by Alexander Hamilton, James Madison, and John Jay
The Art of War by Sun Tzu
The 48 Laws of Power by Robert Greene
The 33 Strategies of War by Robert Greene
Stuart Little by E.B. White
Little House in the Big Woods by Laura Ingalls Wilder
Anne of Green Gables by Lucy Maud Montgomery
A Time to Kill by John Grisham
The Pearl by John Steinbeck
Confessions by Kanae Minato
Rain on Me by Jack Pierce and Lotus Token
Took by Mary Downing Hahn
The Unwanted by Kien Nguyen
The Long Exile by Melanie McGrath
John Dies at the End by David Wong
Tuesdays with Morrie by Mitch Albom
The Kite Runner by Khaled Hosseini
The Joy Luck Club by Amy Tan
The Lovely Bones by Alice Sebold
Dune by Frank Herbert
Catch-22 by Joseph Heller
Fear and Loathing in Las Vegas by Hunter S. Thompson
Emma by Jane Austen
Moby Dick by Herman Melville
Cat’s Cradle by Kurt Vonnegut
Rebecca by Daphne du Maurier
The Red Badge of Courage by Stephen Crane
Vertigo by W.G. Sebald
Oryx and Crake by Margaret Atwood
Revolutionary Road by Richard Yates
The Sun Also Rises by Ernest Hemingway
Zen and the Art of Motorcycle Maintenance by Robert M. Pirsig
Jerusalem by Alan Moore
It by Stephen King
The Dinner by Herman Koch
The Metamorphosis by Frank Kafka
Cloud Atlas by David Mitchell
The Picture of Dorian Gray by Oscar Wilde
A Portrait of the Artist as a Young Man by James Joyce
The Invisible Man by H.G. Wells
Infinite Jest by David Foster Wallace
Lolita by Vladimir Nabokov
Good Omens by Terry Pratchett and Neil Gaiman
The Magic Kingdom by Stanley Elkin
The Adventures of Tom Sawyer by Mark Twain
Romeo and Juliet by William Shakespeare
Wuthering Heights by Emily Brontë
And Then There Were None by Agatha Christie
You by Caroline Kepnes
The Test by Sylvain Neuvel
Robinson Crusoe by Daniel Dafoe
Great Expectations by Charles Dickens
The Old Man and the Sea by Ernest Hemingway
The Haunting of Hill House by Shirley Jackson
Ulysses by James Joyce
The Call of the Wild by Jack London
Julius Caesar by William Shakespeare
Treasure Island by Robert Louis Stevenson
The Goldfinch by Donna Tartt
The Adventures of Huckleberry Finn by Mark Twain
Around the World in 80 Days by Jules Verne
Carrie by Stephen King
Peter Pan by J.M. Barrie
Do Androids Dream of Electric Sheep? By Phillip K. Dick
Jane Eyre by Charlotte Brontë
Naked Lunch by William S. Burroughs
The Martian by Andy Weir
The Color Purple by Alice Walker
The Man in the High Castle by Phillip K. Dick
Something Wicked This Way Comes by Ray Bradbury
To the Lighthouse by Virginia Woolf
Doctor Zhivago by Boris Pasternak
The Three Musketeers by Alexandre Dumas
Watership Down by Richard Adams
Murder on the Orient Express by Agatha Christie
Madame Bovary by Gustave Flaubert
The Phantom of the Opera by Gaston Lacroux
King Lear by William Shakespeare
The Scarlet Letter by Nathaniel Hawthorne
Oliver Twist by Charles Dickens
The Communist Manifesto by Karl Marx and Friedrich Engels
The Idiot by Fyodor Dostoevsky
As I Lay Dying by William Faulkner
War of the Worlds by H.G. Wells
American Psycho by Bret Easton Ellis
The Mysterious Island by Jules Verne
The Brothers Karamazov by Fyodor Dostoevsky
Pride and Prejudice by Jane Austen
A Tale of Two Cities by Charles Dickens
Les Miserables by Víctor Hugo
The Exorcist by William Peter Blatty
Misery by Stephen King
The Stepford Wives by Ira Gaines
Murphy by Samuel Beckett
The Girls by Lori Lansens
Little Fires Everywhere by Celeste Ng
The 7 ½ Deaths of Evelyn Hardcastle by Stuart Turton
The Time Traveler’s Wife by Audrey Niffenegger
One Flew Over The Cuckoo’s Nest by Ken Kesey
Big Little Lies by Liane Moriarty
Wicked by Gregory Maguire
127 Hours: Between a Rock and a Hard Place by Aron Ralston
Breakfast of Champions by Kurt Vonnegut
The Phantom Tollbooth by Norton Juster
Room by Emma Donoghue
Pale Blue Dot by Carl Sagan
The Tempest by William Shakespeare
A Clockwork Orange by Anthony Burgess
Battle Royale by Koushun Takami
The Woman in the Window by A.J. Finn
We Have Always Lived in the Castle by Shirley Jackson
The Book Thief by Markus Zusak
Ender’s Game by Orson Scott Card
Sense and Sensibility by Jane Austen
Howl’s Moving Castle by Dianna Wynne Jones
The Tattooist of Auschwitz by Heather Morris
Fight Club by Chuck Palahniuk
Ready Player One by Ernest Cline
The Sun is Also a Star by Nicola Yoon
Galápagos by Kurt Vonnegut
The Shining by Stephen King
Uncle Tom’s Cabin by Harriet Beecher Stowe
The Iliad by Homer
Mrs. Dalloway by Virginia Woolf
For Whom the Bell Tolls by Ernest Hemingway
World War Z by Max Brooks
Becoming by Michelle Obama
The Martian Chronicles by Ray Bradbury
The Autobiography of Benjamin Franklin
A Walk in the Woods by Bill Bryson
The Invention of Hugo Cabret by Brian Selznick
Jurassic Park by Michael Crichton
The Perks of Being a Wallflower by Stephen Chbosky
Island of the Blue Dolphins by Scott O’Dell
All Quiet on the Western Front by Erich Maria Remarque
Esperanza Rising by Pam Muñoz Ryan
Madame Curie by Eve Curie
The Last Lecture by Randy Pausch
The Foundation by Isaac Asimov
A Man Called Ove by Fredrick Backman
Where the Red Fern Grows by Wilson Rawls
The Bridge to Terabithia by Katherine Paterson
Tarzan of the Apes by Edgar Rice Burroughs
Matilda by Roald Dahl
The Glass Castle by Jeannette Wells
Percy Jackson and the Lightning Thief by Rick Riordan
Gone Girl by Gillian Flynn
The Curious Incident of the Dog in the Night-time by Mark Haddon
Looking for Alaska by John Green
Paper Towns by John Green
Gangster Redemption by Larry Lawton
Catch Me if You Can by Frank Abagnale
Coraline by Neil Gaiman
Beloved by Toni Morrison
Cinder by Marissa Meyer
The Water Dancer by Ta-Nehisi Coates
The Sun Does Shine by Anthony Ray Hinton
An American Marriage by Tayari Jones
The Underground Railroad by Carson Whitehead
The Invention of Wings by Sue Monk Kidd
Wild by Cheryl Strayed
Love in the Time of Cholera by Gabriel García Márquez
Light in August by William Faulkner
The Good Earth by Pearl S. Buck
Cry, the Beloved Country by Alan Paton
Sula by Toni Morrison
Fall On Your Knees by Ann-Marie MacDonald
House of Sand and Fog by Andre Dubus III
Drowning Ruth by Christina Schwarz
A Map of the World by Jane Hamilton
The Time Machine by H.G. Wells
Midwives by Chris Bohjalian
A Lesson Before Dying by Ernest J. Gaines
The Rapture of Canaan by Sheri Reynolds
Charlotte’s Web by E.B. White
Outlander by Diana Gabaldon
Crazy Rich Asians by Kevin Kwan
Anna and the French Kiss by Stephanie Perkins
The Fault in Our Stars by John Green
Cane by Jean Troomer
Divergent by Veronica Roth
The Maze Runner by James Dashner
Never Let Me Go by Kazuo Ishiguro
A Song of Ice and Fire by George R.R. Martin
Stargirl by Jerry Spinelli
The Hate U Give by Angie Thomas
Simon vs. the Homo Sapiens Agenda by Becky Albertalli
Diary of a Wimpy Kid by Jeff Kinney
The Lion, the Witch, And the Wardrobe by C.S. Lewis
Gone with the Wind by Margaret Mitchell
The Hunchback of Notre Dame by Víctor Hugo
Because of Winn-Dixie by Kate DiCamillo
The Subtle Art of Not Giving a Fuck by Mark Manson
The Five Love Languages by Gary Chapman
You Are a Badass by Jen Sincero
Watchmen by Alan Moore
Maus by Art Speigelman
The Little Prince by Antoine de Saint-Exupéry
Interview With the Vampire by Anne Rice
The Poisonwood Bible by Barbara Kingsolver
The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson
The Godfather by Mario Puzo
Breakfast at Tiffany’s by Truman Capote
The Arabian Nights
The Trial by Frank Kafka
On the Road by Jack Kerouac
Pippi Longstocking by Astrid Lindgren
Tess of the D'Urbervilles by Thomas Hardy
I Know Why the Caged Bird Sings by Maya Angelou
Journey to the Centre of the Earth by Jules Verne
Aesop’s Fables
Middlemarch by George Eliot
I, Robot by Isaac Asimov
Schindler’s List by Thomas Keneally
The Fall of the House of Usher by Edgar Allan Poe
The Children of Men by P.D. James
Vanity Fair by William Makepeace Thackeray
2001: A Space Odyssey by Arthur C. Clarke
Trainspotting by Irvine Walsh
1Q84 by Haruki Murakami
The Island of Dr. Moreau by H.G. Wells
The Turn of the Screw by Henry James
Blood Meridian by Cormac McCarthy
At the Mountains of Madness by H.P. Lovecraft
Dr. No by Ian Fleming
The 39 Steps by John Buchan
Gravity’s Rainbow by Thomas Pynchon
The Satanic Verses by Salman Rushdie
Nicholas Nickleby by Charles Dickens
The Maltese Falcon by Dashiell Hammett
Black Dahlia by James Ellroy
Fifty Shades of Gray by E.L. James
Casino Royale by Ian Fleming
Go Tell It on the Mountain by James Baldwin
The Crying of Lot 49 by Thomas Pynchon
The Tale of Genji by Murasaki Shikibu
Death in Venice by Thomas Mann
One of Us is Lying by Karen McManus
Kidnapped by Robert Louis Stevenson
A Wrinkle in Time by Madeleine L’Engle
Night and Day by Virginia Woolf
The Third Man by Graham Greene
Requiem for a Dream by Hubert Selby Jr.
God Bless You, Mr. Rosewater by Kurt Vonnegut
Who Moved My Cheese? By Spencer Johnson
Utopia by Thomas Moore
The Tin Drum by Gunter Grass
The Eye of the World by Robert Jordan
Trust Me by Lesley Pearce
Gone by Michael Grant
The House of Leaves by Mark Z. Danielewski
The God of Small Things by Arundhati Roy
God is Dead by Ron Currie Jr.
Hatchet by Gary Paulsen
Mein Kampf by Adolf Hitler
We by Yevgeny Zamyatin
13 Reasons Why by Brian Yorkey
The Five People You Meet in Heaven by Mitch Albom
Heart of Darkness by Joseph Conrad
The Night Circus by Erin Morgenstern
The Name of This Book is Secret by Pseudonymous Bosch
The Bad Beginning by Lemony Snicket
A Little History of the World by Ernst Gombrich
The First Fifteen Lives of Harry August by Claire North
The Princess Bride by William Goldman
At the Earth’s Core by Edgar Rice Burroughs
The Seventh Day by Yu Hua
Firefly Lane by Kristin Hannah
The Murder of Roger Ackroyd by Agatha Christie
Siddhartha by Hermann Hesse
The Things They Carried by Tim O’Brien
Invisible Man by Ralph Ellison
The 100 Year Old Man Who Climbed Out a Window and Disappeared by Jonas Jonasson
Prisoner B-3087 by Alan Gratz
Two Boys Kissing by David Levithan
Twilight by Stephenie Meyer
The Wind in the Willows by Kenneth Grahame
The Killer Inside Me by Jim Thompson
Salt, Sugar, and Fat: How the Food Giants Hooked Us by Michael Moss
The Man Who Owned Vermont by Bret Lott
Lamb by Christopher Moore
Extremely Loud And Incredibly Close by Jonathon Safran Foer
Doctor Doolittle by Hugh Lofting
The Wonderful Wizard of Oz by L. Frank Baum
What Katy Did by Susan Coolidge
Black Beauty by Anna Sewell
Heidi by Johanna Spyri
The Secret Garden by Frances Hodgson Burnett
The Boxcar Children by Gertrude Chandler Warner
Gulliver’s Travels by Johnathon Swift
The Legend of Sleepy Hollow by Washington Irving
Beowulf by J. Lesslie Hall
A Study in Scarlet by Sir Arthur Conan Doyle
Common Sense by Thomas Paine
Up From Slavery by Booker T. Washington
Anthem by Ayn Rand
Northanger Abbey by Jane Austen
Pretty Little Liars by Sara Shepherd
Twelve Years a Slave by Solomon Northup
The Story of My Life by Helen Keller
The Mysterious Affair at Styles by Agatha Christie
This Side of Paradise by F. Scott Fitzgerald
Dubliners by James Joyce
White Fang by Jack London
Roots by Alex Haley
Ivanhoe by Walter Scott
A Midsummer Night’s Dream by William Shakespeare
Othello by William Shakespeare
From the Earth to the Moon by Jules Verne
The Wendigo by Algernon Blackwood
Their Eyes Were Watching God by Zora Neale Hurston
Death of a Salesman by Arthur Miller
The Crucible by Arthur Miller
A Raisin in the Sun by Lorraine Hansberry
The Glass Menagerie by Tennessee Williams
The Importance of Being Earnest by Oscar Wilde
Waiting for Godot by Samuel Beckett
Magna Carta by John, King of England and Stephen Langton
The U.S. Declaration of Independence by Thomas Jefferson, Benjamin Franklin, John Adams, Roger Sherman, and Robert R. Livingston
The U.S. Constitution by James Madison
The Articles of Confederation by John Dickinson
The Emancipation Proclamation by Abraham Lincoln
The Koran
The Torah
His Dark Materials by Phillip Pullman
Birdsong by Sebastian Faulks
Bleak House by Charles Dickens
Brideshead Revisited by Evelyn Waugh
David Copperfield by Charles Dickens
Persuasion by Jane Austen
Winnie the Pooh by A.A. Milne
Memoirs of a Geisha by Arthur Golden
The Da Vinci Code by Dan Brown
Atonement by Ian McEwan
A Suitable Boy by Vikram Seth
The Secret History by Donna Tartt
Jude the Obscure by Thomas Hardy
Bridget Jones’ Diary by Helen Fielding
Swallows and Amazons by Arthur Ransome
A Confederacy of Dunces by John Kennedy Toole
A Town Like Alice by Nevil Shute
Charlie and the Chocolate Factory by Roald Dahl
James and the Giant Peach by Roald Dahl
The Girl with the Dragon Tattoo by Steig Larsson
The Help by Kathryn Stockett
The Girl on the Train by Paula Hawkins
Eragon by Christopher Paolini
The Notebook by Nicholas Sparks
My Sister’s Keeper by Jodi Picoult
Miss Peregrine’s Home for Peculiar Children by Ransom Riggs
The Host by Stephanie Meyer
Eleanor & Park by Rainbow Rowell
The Devil Wears Prada by Lauren Weinberger
If I Stay by Gayle Forman
Freakonomics by Steven Levitt and Stephen Dubner
Wonder by R.J. Palacio
The Pillars of the Earth by Ken Follett
The Sisterhood of the Traveling Pants by Ann Brashares
Sharp Objects by Gillian Flynn
Green Eggs and Ham by Dr. Seuss
How the Grinch Stole Christmas! By Dr. Seuss
The Cat in the Hat by Dr. Seuss
Uglies by Scott Westerfield
Educated by Tara Westover
Dear John by Nicholas Sparks
The Shack by William P. Young
The Gunslinger by Stephen King
Artemis Fowl by Eoin Colfer
The Boy in the Striped Pajamas by John Boyne
Where’d You Go, Bernadette? By Maria Semple
Marley & Me by John Grogan
An Abundance of Katherines by John Green
To All the Boys I’ve Ever Loved Before by Jenny Han
Ella Enchanted by Gail Carson Levine
A Tree Grows in Brooklyn by Betty Smith
The Very Hungry Caterpillar by Eric Carle
I Am Malala by Malala Yousafazi
The 5th Wave by Rick Yancey
Atlas Shrugged by Ayn Rand
The BFG by Roald Dahl
Rosemary’s Baby by Ira Gaines
Everything, Everything by Nicola Yoon
Oh, the Places You’ll Go! By Dr. Seuss
I am Number Four by Pittacus Lore
The Witches by Roald Dahl
Still Alice by Lisa Genova
Goodnight Moon by Margaret Wise Brown
1st to Die by James Patterson
Before I Fall by Lauren Oliver
Heaven is for Real by Todd Burpo
The Lorax by Dr. Seuss
Turtles All the Way Down by John Green
A Streetcar Named Desire by Tennessee Williams
V For Vendetta by Alan Moore and David Lloyd
The Life-Changing Magic of Tidying Up by Marie Kondo
Under the Dome by Stephen King
If You Give a Mouse a Cookie by Laura Numeroff
Killing Floor by Lee Child
The Princess Diaries by Meg Cabot
The Brief, Wondrous Life of Oscar Wao by Junot Díaz
A Gentleman in Moscow by Amor Towles
The Virgin Suicides by Jeffrey Eugenides
The Master and Margarita by Mikhail Bulgakov
The Absolutely True DIary of a Part-Time Indian by Sherman Alexie
Tuck Everlasting by Natalie Babbitt
Cujo by Stephen King
Midnight in the Garden of Good and Evil by John Berendt
Much Ado About Nothing by William Shakespeare
The Polar Express by Chris Van Allsburg
The World According to Garp by John Irving
Batman: Year One by Frank Miller and David Mazzucchelli
Left Behind by Tim LaHaye and Jerry B. Jenkins
The Tale of Peter Rabbit by Beatrix Potter
Christine by Stephen King
Madeline by Ludwig Bemelmans
20,000 Leagues Under the Sea by Jules Verne
Are You There God? It’s Me, Margaret by Judy Blume
From the Mixed Up Files of Ms. Basil E. Frankweiler by E.L. Konigsburg
Patriot Games by Tom Clancy
Death Note by Takeshi Obata and Tsugumi Ohba
Orange is the New Black by Piper Kerman
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christina ugly betty video
Ugly Betty (TV Series 2006–2010) Ashley Jensen as Christina McKinney. Menu. Movies. Release Calendar DVD & Blu-ray Releases Top Rated Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Showtimes & Tickets In Theaters Coming Soon Coming Soon Movie News India Movie Spotlight. From Betty's spoiled (but sweet) boss Daniel Meade, played by Eric Mabius, to Betty's fashionable little brother Justin Suarez (Mark Indelicato), the actors are still dominating the small screen and have had glow-ups of their own. Keep scrolling to see the Ugly Betty cast then and now: Betty und Daniel bemühen sich, Meade Publications zu retten, indem sie Matts Vater als Investor gewinnen - gegen Matts Willen, der Betty ausdrücklich verbietet, einen Kontakt zwischen seinem Vater und Daniel herzustellen. Wilhelmina glaubt, dass ihr Sohn womöglich das leibliche Kind von Christina sein könnte - doch ein Bluttest bestätigt, dass Wilhelmina die Mutter ist. Daraufhin teilt ... Watch this Ugly Betty video, Christina and Amanda - Loathing, on Fanpop and browse other Ugly Betty videos. Aug 12, 2015 - Explore Alyssa Rios's board "Ugly betty" on Pinterest. See more ideas about ugly betty, betties, being ugly. The Ugly Betty Stage 3 Stage 1 New York City Famine pigeons Sex Stage 2 Very Attractive Death Ugly/ Average People Eating Pigeons Ugly Betty Quotes. I've had to say good-bye more times than I may have like, but everyone can say that. And no matter how many times we have to do it - even if it's for the greater good, it still ... 'Ugly Betty' Bites: Christina brings the funny. “Every week, the Village Voice lists all the gallery openings in Chelsea. I always pick the ones with the ugliest art. They have the best food. Ugly Betty (TV Series 2006–2010) cast and crew credits, including actors, actresses, directors, writers and more. Christina McKinney is a fictional character in the American comedy-drama series Ugly Betty, portrayed by Ashley Jensen. She is a Scottish immigrant, who worked as a seamstress in Mode but came to be a designer. She met Betty and the two quickly became instant best friends. She was revealed to have been married, to Stuart McKinney. She left him though mainly due to his constant drug abuse ...
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